图像中的魏晋风度

发布时间：2018-03-21 23:11

  本文选题：魏晋风度　切入点：魏晋图像　出处：《浙江大学》2016年博士论文　论文类型：学位论文

【摘要】：魏晋风度是魏晋时期士人文化生活之中所特有的一种精神风度,它同时也是中国文化史上具有典型意义的一种时代文化现象。从古至今,对于魏晋士人精神风度的讨论就从未停止过,这一方面说明了魏晋风度对于后世文化的影响之大,另一方面后世对于魏晋风度的探讨其实也是一个不断认识和阐释的过程。特别是在鲁迅确立"魏晋风度"这一概念之后,学界对于魏晋风度的内涵构建与阐释就从未停止过。本论文的主题是图像中的魏晋风度,其重点是关注后世图像作品是如何表现魏晋士人的精神风度以及图像是如何将文学作品或者文献材料中的魏晋风度转化为视觉图像。第一章主要讨论魏晋风度这一学术概念的形成和具体内涵,并且分析了魏晋风度产生的历史根源和文化氛围,其目的就是对魏晋风度这一学术概念进行彻底的梳理,并从历史文化的角度寻找其存在的基础。第二章主要讨论后世图像是如何通过一些物质文化符号来表现魏晋风度。这其中主要包括酒和麈尾这两种在魏晋士人文化生活中最为普遍的物质符号图像,还有一些物质符号图像虽然在魏晋士人之中不是普遍流行的,但是却能够代表个别魏晋士人独特的精神风度。比如,王羲之爱鹅图像,陶渊明爱菊花图像,阮孚好屐图像,支遁爱马图像。后世图像往往就是通过对这些物质文化符号的视觉化再现来表现图像中的魏晋风度。第三章主要讨论后世图像是如何通过表现魏晋时期士人的行为活动来再现魏晋风度。在后世的图像创作之中,图像创作者主要聚焦于魏晋士人的音乐活动、袒露之风和隐逸交游这三个方面来表现魏晋士人超乎常人的文化行为活动。坦率地讲,这些行为活动并非是魏晋士人所独有的,但是在后世的图像作品之中它们确实被图像创作者赋予了一种魏晋士人所独有的精神气质。后世表现魏晋风度的图像作品对于魏晋风度的再现实际上也是一种文化选择和文化阐释的过程,它与文学或者文献对于魏晋风度内涵的理解与阐释在本质上是一样的,都不是纯然客观的,而是有一种主观的价值判断在其中,只是图像的视角阐释有其自己独特的一套方式方法,图像中的魏晋风度实际上就是视觉图像对于魏晋风度内涵的主观表达。
[Abstract]:The demeanor of Wei and Jin is a kind of special spirit in the cultural life of the scholars in the Wei and Jin dynasties, and it is also a typical cultural phenomenon in the history of Chinese culture. The discussion on the spirit and demeanor of the scholars in the Wei and Jin dynasties has never stopped. On the one hand, it shows that the style of the Wei and Jin dynasties has a great influence on the culture of later generations. On the other hand, the discussion of Wei and Jin demeanour in later generations is also a process of continuous understanding and explanation, especially after Lu Xun established the concept of "Wei and Jin demeanor". The academic circle has never stopped to construct and explain the connotation of Wei and Jin's demeanour. The theme of this thesis is the Wei and Jin's demeanor in the image. The focus is on how the image works of later generations show the spirit of the scholars in the Wei and Jin dynasties and how the images transform the style of the Wei and Jin dynasties from literature works or literature materials into visual images. Chapter one mainly discusses the style of Wei and Jin dynasties. The formation and specific connotation of academic concepts, It also analyzes the historical origin and cultural atmosphere of the appearance of Wei and Jin dynasties, the purpose of which is to thoroughly comb the academic concept of style in Wei and Jin dynasties. The second chapter mainly discusses how the images of later generations express the demeanor of the Wei and Jin dynasties through some material cultural symbols, which mainly include wine and the tail of these two kinds of humanities in the Wei and Jin dynasties. The most common image of material symbols in life, There are also some images of material symbols that are not generally popular among the scholars in the Wei and Jin dynasties, but they can represent the unique spirit of individual scholars in the Wei and Jin dynasties. For example, Wang Xizhi's image of loving geese, Tao Yuanming's picture of chrysanthemum, and the image of Ruan Fu clog. In the third chapter, the author mainly discusses how the image of the later generation shows the behavior of the scholars in the Wei and Jin dynasties by visualizing the symbols of the material culture. Chapter three mainly discusses how the image of the later generation can express the behavior of the scholars in the period of Wei and Jin dynasties. To reproduce the demeanor of Wei and Jin dynasties. In the image creation of later generations, The image creators mainly focus on the musical activities of the scholars in the Wei and Jin dynasties, revealing the wind and making friends in seclusion to show the extraordinary cultural activities of the scholars in the Wei and Jin dynasties. Frankly speaking, these activities are not unique to the scholars in the Wei and Jin dynasties. However, in the image works of later generations, they were indeed endowed by the image creators with a unique spiritual temperament of the scholars in the Wei and Jin dynasties. The image works that later showed the style of the Wei and Jin dynasties were actually a kind of text for the reproduction of the style of the Wei and Jin dynasties. The process of turning choice and cultural interpretation, It is essentially the same as literature or literature in understanding and interpreting the connotation of Wei and Jin Dynasty demeanor. It is not pure and objective, but has a subjective value judgment. Only the visual angle of the image has its own unique set of ways and means. The style of the Wei and Jin dynasties in the image is actually the subjective expression of the connotation of the style of the visual image to the Wei and Jin dynasties.
【学位授予单位】：浙江大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：I206.2;J205
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本文编号：1645977