论魏晋六朝时期的“篇”与“单篇意识”

发布时间：2018-03-22 02:04

本文选题：文学自觉　切入点：文体自觉　出处：《内蒙古社会科学(汉文版)》2017年02期 　论文类型：期刊论文

【摘要】："篇"的本意是编简为篇,引申义指篇幅独立、意义自足的单文或单诗。先秦已有"篇"的意识。两汉时,单篇诗文渐多,单篇意识开始滋生。一般说来,相对于篇幅较长、往往以卷帙论的经史子等著述,文学文本大都篇幅较短,且多以单篇形式存在和传播。于是,魏晋六朝人就把"单篇性"看做文学性的重要标志之一,并以此作为区分文学与非文学的体制性标准。此即"单篇意识"。在短篇文学时代,单篇意识对人们认识文学性曾经起了一定的作用,并促进了文学与文体的自觉。但是隋唐以后,文学观念又趋于复古,单篇意识遇冷;明清以后,随着传媒技术的进步,中、长篇文学蔚起,基于短篇的单篇意识基本过时,渐趋衰微,但并没有完全失效。
[Abstract]:The original intention of "article" is to compile it into a simple text, which refers to a single article or poem with independent length and self-contained meaning. There was already a consciousness of "article" in the Pre-Qin Dynasty. During the Han Dynasty, there were more individual poems and articles, and a single article consciousness began to breed. Generally speaking, relative to the length of the article, it was relatively long. Most of the literary texts are short in length, and most of them exist and spread in the form of individual articles. Therefore, the people of Wei, Jin and six dynasties regarded "singularity" as one of the important symbols of literariness. It is regarded as the systematic standard of distinguishing literature from non-literature. This is called "single article consciousness". In the era of short literature, it has played a certain role in people's understanding of literariness. And promoted the consciousness of literature and style. But after the Sui and Tang dynasties, the literary idea tended to go back to the ancient times, and the single article consciousness was not as expected. After the Ming and Qing dynasties, with the progress of the media technology, the medium and long literature became more and more successful, and the single article consciousness based on the short article was basically out of date. Declining, but not completely ineffective.
【作者单位】：贵州师范大学文学院;
【基金】：国家社科基金项目“中国古代文体浑和与文体演进之关系研究”(编号:16XZW012)
【分类号】：I206.2

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