光未然诗歌的文本修删与篇目选弃研究

发布时间：2018-03-28 19:18

本文选题：光未然　切入点：诗歌　出处：《华中师范大学》2017年硕士论文

【摘要】：著名诗人光未然(1913 — 2002) 一生创作了大量的诗歌作品。由于种种因素,这些诗歌在创作、发表和选集过程中曾经遭到过诗人的修改和选弃,而修改和选弃的过程蕴含了诗人的人生经历、作家身份、文学观念的转变以及时代背景的变革,有着相当大的研究价值。本文选择以光未然诗歌的文本修删与篇目选弃作为研究对象,以期通过微观的文学研究,探讨其具有的普遍性的文学史意义。论文以光未然的诗歌文本为基本的研究材料,以局部的文本变化和整体的篇目变迁为角度,重现光未然诗歌创作和传播过程中的历史流变。论文除绪论和结语外,主要分为三个部分。绪论部分分析了选题的缘起和意义,梳理了已有的研究成果,在此基础上提出了论文的总体设想和研究方法。第一章,分析光未然对诗歌作品进行文本修删的两种常见原因,深入发掘其背后个人与时代的复杂背景。第二章,以诗集《五月花》(1960)和《张光年文集》(2002)的选目,以及一批从未收入诗集的诗歌作品来梳理诗人在不同历史背景下对1930到1950年代创作的诗歌作品的选弃情况,并探讨这些现象背后作家内心的矛盾与无奈。第三章,通过对《黄河大合唱》文本创作和传播过程中的“被改”和“拒绝修改”进行考察,思考《黄河大合唱》文本的经典意义。结语部分,通过上述对光未然诗歌文本的变迁过程进行细致分析和研究,探讨诗人在诗歌文本修改和篇目选弃过程中所呈现出来的坚持与动摇、选择与屈就的复杂矛盾的心理,进而深入思考不同时代背景下现当代作家的普遍境遇,以及我们应该怎样辩证地看待中国现当代文学史中的这类特殊的文学现象。
[Abstract]:In his life, a famous poet, Kuang Wei-wei (1913-2002), created a large number of poems. Due to various factors, these poems were revised and rejected by poets in the course of their creation, publication and anthology. The process of revision and abandonment contains the poet's life experience, the identity of the writer, the change of literary concept and the change of the background of the times. It has great research value. This paper chooses the text revision and deletion of Guangzhou-Wei-ran poetry as the research object, in order to study through the micro-literary research. This paper discusses its universal significance in the history of literature. The thesis regards the text of poetry as the basic research material, the change of the partial text and the change of the whole content as the angle. In addition to the introduction and conclusion, the paper is divided into three parts. The introduction part analyzes the origin and significance of the topic, combs the existing research results. On this basis, the author puts forward the overall assumption and research methods of the thesis. Chapter 1, analyzes the two common reasons for the text revision and deletion of poetry works, and deeply explores the complex background of the individual and the times behind it. Chapter two, The selected items of poetry collections "May flower" (1960) and "Zhang Guangnian collection" (2002), as well as a number of poetry works that have never been included in poetry collections, are used to sort out the poets' choice and abandonment of poetry works created from 1930 to 1950's under different historical backgrounds. And discusses the contradictions and helplessness of the writers behind these phenomena. Chapter three, through the "changed" and "refuse to modify" in the process of creation and dissemination of the Yellow River Chorus, Thinking about the classical significance of the text of Yellow River Chorus. The conclusion part, through the above detailed analysis and research on the process of the evolution of the text of Guangfu poetry, This paper probes into the complex ambivalence psychology of the poet in the course of the poetry text revision and the selection and abandonment of the poems, and then thinks deeply about the general situation of the contemporary writers under the different background of the times, as well as the complex contradictory psychology that the poet presents in the course of the poetry text revision and the selection and abandonment of the articles. And how we should dialectically treat this kind of special literary phenomenon in the history of modern and contemporary Chinese literature.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.25

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