宋代词人次韵东坡词研究

发布时间：2018-03-31 22:12

本文选题：宋代　切入点：次韵　出处：《深圳大学》2017年硕士论文

【摘要】：苏东坡是宋代词坛上成就最为卓著、影响最为深远的伟大词人之一。在被历代追和次韵的宋代词人中,苏东坡也是被追和次韵作品数量最多的一位词人。对东坡词的次韵创作从宋代就已经开始,那么为什么在宋代有那么多人次韵苏东坡的作品?宋代次韵东坡词走过了怎样的发展历程,又表现了什么样的内容题材和艺术风格?如何看待和评估宋代次韵东坡词的创作现象,它们对推动词史的演进和确立东坡的词史地位起到了什么样的作用?本文拟就这些问题对宋代词人次韵东坡词进行考察与分析。第一章是对宋代词人次韵东坡词的定量分析。通过定量分析发现:(1)宋人倾向于次韵苏东坡的经典名篇。(2)宋人次韵东坡词的用调与用韵较宽泛,且倾向于含蓄地反映社会现实,表达个人思想的题材与主题。(3)宋代次韵东坡词的作者人数及作品数量都有明显的时代变化。第二章是对宋代词人次韵东坡词发展历程的描述。通过该描述发现:(1)宋代次韵东坡词的作者开始以苏门词人为主,后扩大到各个流派词人,不同流派的词人词作内容与主题风格不同。(2)宋代词人次韵东坡词在形式上经历了由部分次韵到完全次韵的过程,在内容上出现从与苏词和题共韵到对它有所突破的发展,这个突破有内容题材与主题思想方面的,也有艺术风格与写作技巧方面的。前者出现较早,后者出现较晚。(3)宋代词人次韵东坡词越来越向反映现实与表达幽深方向发展。第三章考察宋代词人次韵东坡词的题材表现。通过归类研究发现:(1)宋代词人次韵东坡词的题材表现多样,其中以爱国与归隐之情为主。(2)它们的题材表现受时代和苏词的双重影响,表现为对苏词多样化的继承与突破。第四章探讨宋代词人次韵东坡词的艺术风格。通过分类探讨发现:(1)宋代词人次韵东坡词的艺术风格对苏词继承较多,其主要有清旷超逸、豪迈悲壮、沉郁凄凉、清丽婉曲、质朴自然与诙谐幽默六类。(2)宋代词人次韵东坡词的总体艺术风格倾向于豪放,即使其中婉约词的创作也难逃苏东坡豪放词的影响。第五章是宋代词人次韵东坡词的原因探寻与价值评估。通过多方探讨,认为宋代词人次韵东坡词的产生是内因与外因共同起作用的结果。内因是苏词自身的魅力,外因是苏词在宋代的接受。宋代词人次韵东坡词在词史上的作用有以下几点:(1)扩大词境、丰富词的题材表现,推进词体演进。(2)提高苏词的影响,巩固苏东坡在的词史上的地位。(3)激发和者的创作欲望,提高和者的创作水平,带来整体宋词的繁荣昌盛。(4)促使次韵词创作流行起来,并成为后世学习词创作的一种方式。但是它也有不足:既没产生伟大作品,又造成南宋词的“古意渐微”。因此,要客观、公允地看待次韵词,既不掩饰其缺点,也不贬低其价值。
[Abstract]:Su Dongpo is one of the most outstanding and influential ci poets in Song Dynasty. Su Dongpo is also one of the most popular and subrhyme works. The subrhyme creation of Dongpo ci has already started since the Song Dynasty, so why are there so many times Su Dongpo's works in Song Dynasty? What kind of development course did Dongpo ci go through in the Song Dynasty, and what kind of content theme and artistic style did it show? How to treat and evaluate the creation phenomenon of Dongpo ci in subrhyme of Song Dynasty, and what role they play in promoting the evolution of ci history and establishing Dongpo's position in ci history? The first chapter is the quantitative analysis of the ci poems of the Song Dynasty. Through the quantitative analysis, we find that the Song people tend to subrhyme Su Dongpo's classic works. (2) the use of rhyme and rhyme in Dongpo ci of the people of Song Dynasty is relatively broad, And tend to implicitly reflect social realities, The number of authors and the number of works in Dongpo ci in the Song Dynasty have changed obviously. The second chapter is a description of the development of the ci ci in the Song Dynasty. In the Song Dynasty, the authors of Dongpo ci began to be mainly composed of Sumen poets. Later expanded to all schools of ci writers, the content and theme style of ci poems of different schools are different.) the ci poems of the Song Dynasty experienced the process from partial rhyme to complete rhyme in form. In terms of content, there has been a development from rhyming with Su ci and title to a breakthrough in it. This breakthrough includes content, subject matter and theme, as well as artistic style and writing skills. The former appeared earlier. The latter appeared later. 3) the ci poems of the Song Dynasty developed more and more towards the direction of reflecting reality and deep expression. Chapter three investigates the subject matter performance of the ci poems of the Song Dynasty. Through the study of classification, we find out that the ci poets of the Song Dynasty have subrhyme Dongpo ci. The subject matter of Poe ci is varied. Among them, patriotism and seclusion are the main ones. (2) their subject matter is influenced by the times and Su ci. The fourth chapter discusses the artistic style of Dongpo ci in subrhyme of ci poet in Song Dynasty. It is found that the artistic style of sub-rhyme Dongpo ci in Song Dynasty is more than that in Dongpo ci in Song Dynasty, which mainly includes Qing Kuang Suo Yi. The overall artistic style of Dongpo's ci poems in the Song Dynasty tends to be bold and unrestrained. The fifth chapter is the exploration and evaluation of the reason and value of the ci in the Song Dynasty. It is believed that the generation of ci in the Song Dynasty is the result of both internal and external factors, and the internal cause is the charm of Su ci itself. The external cause is the acceptance of Su ci in the Song Dynasty. The function of the ci ci in the history of ci is as follows: 1) expanding the ci territory, enriching the subject matter of the ci, promoting the evolution of ci style. 2) improving the influence of Su ci. To consolidate Su Dongpo's position in the history of ci.) to stimulate the creative desire of the harmony person, to improve the creation level of the harmony person, and to bring the prosperity and prosperity of the Song ci as a whole) to promote the popularity of the subrhyme creation. And it became a way of learning ci for later generations. But it also had some shortcomings: it did not produce great works, but also caused the "ancient meaning to fade" of the Southern Song Dynasty ci. Therefore, it is necessary to objectively and fairly treat subrhyme words without concealing their shortcomings. Nor does it devalue it.
【学位授予单位】：深圳大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23

【参考文献】