红柯生命叙事的文化混血论

发布时间：2018-04-08 22:38

本文选题：生命叙事　切入点：文化混血　出处：《四川师范大学》2016年硕士论文

【摘要】：红柯是继柳青、杜鹏程、路遥、陈忠实等名家后,陕西的第三代标志性作家,他一度被评论家称为中国当代文坛的一匹“黑马”。与陕西传统作家致力于写民族志、地方志不同,红柯致力于写新疆小说。红柯1986年远赴新疆,在新疆生活了十年,却在回到陕西之后写下了五百多万字充满诗意的一系列新疆小说。这些小说中有着明显的以生命叙事为主题的特征,而这种生命叙事追根溯源,应该在于红柯自身的文化混血身份。出生在周原文化发祥地的红柯,一方面受着中国传统文化观念的影响,但是另一方面他又被新疆少数民族的异域文化所吸引。几千年来形成的文化观念在红柯身上得到消解与重构,不同的文化互相发现与碰撞,最终形成了红柯独特的文化混血身份。本文主体分为三个章节,第一章写红柯小说的生命叙事主题,具体表现为理想生命形态的追求、诗意浪漫的生命关怀、生命叙事的寻根倾向三个特征。第二章写红柯生命叙事的文化混血基因,传统母体文化中的儒家文化和道家文化,异质文化中的草原文化和伊斯兰文化都对红柯产生了重要的影响。第三章写红柯生命叙事与文化混血的动态比较论,将红柯置于同时期的创作群体,以相似的新疆经验为背景,将他跟王蒙、张承志进行比较,试图揭示出红柯创作的心理机制以及在同时代作家中的独特之处。
[Abstract]:Hongke is the third generation landmark writer of Shaanxi after Liu Qing, Du Pengcheng, Lu Yao and Chen Zhongshi. He was once called a "black horse" by critics in Chinese contemporary literary world.Different from the traditional Shaanxi writers, Hongke devoted himself to writing Xinjiang novels.Hong Ke went to Xinjiang in 1986 and lived in Xinjiang for ten years, but after returning to Shaanxi, he wrote a series of Xinjiang novels with more than five million words full of poetry.These novels have obvious characteristics of life narration, which should be traced back to the origin of Hongke's own cultural mixed-race identity.Born in the birthplace of Zhou Yuan's culture, Hongke was influenced by the traditional Chinese cultural ideas, but he was attracted by the foreign cultures of the Xinjiang ethnic minorities on the other hand.The cultural concept formed for thousands of years has been dispelled and reconstructed in Hongke, and different cultures have found and collided with each other, finally forming Hongke's unique mixed cultural identity.The main body of this paper is divided into three chapters. The first chapter describes the life narrative theme of Hongke's novels, which is embodied in the pursuit of ideal life form, the poetic and romantic care for life, and the root seeking tendency of life narration.The second chapter writes about the hybrid genes of Hongke's life narrative, Confucian and Taoist culture in traditional mother culture, grassland culture and Islamic culture in heterogeneous culture, all of which have an important influence on Hongke.The third chapter is about the dynamic comparison between Hongke's life narration and cultural hybrids, and puts Hongke in the same period of creative group, taking the similar Xinjiang experience as the background, and compares him with Wang Meng and Zhang Chengzhi.This paper tries to reveal the psychological mechanism of Hongke's creation and its uniqueness among contemporary writers.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.42

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