《格萨尔王传》之服饰文化研究

发布时间：2018-04-09 16:00

本文选题：格萨尔王传　切入点：服饰　出处：《青海民族大学》2017年硕士论文

【摘要】：《格萨尔王传》是藏族人民集体创作的一部伟大的英雄史诗,历史悠久,结构宏伟,卷帙浩繁,内容丰富,流传广泛。史诗从生成、基本定型到不断演进,包含了藏民族文化的全部原始内核,在不断地演进中又融会了不同时代藏民族关于历史、社会、自然、科学、宗教、道德、风俗、文化、艺术等全部知识,具有很高的学术价值,是研究历代藏族社会的百科全书。本文立足前辈专家学者的格萨尔学术研究成果,从文化学、民俗学、审美学、社会学以及宗教学的角度出发,英雄史诗《格萨尔》中的各类服饰文化进行了论述。第一章从自然环境、社会环境、宗教信仰等方面交代了《格萨尔传》服饰文化形成的大致背景;第二章将《格萨尔王传》中的人物服饰按照职业类型划分为战服类服饰、生活类服饰、宗教礼仪类服饰等三大类;第三章在分类的基础上,从服饰本身的五要素即质、形、饰、色、画几个方面对所出现的各类服饰进行特点总结;第四章探讨了《格萨尔王传》服饰文化的功能和价值,以及阐释了其中的文化内涵,并得出如下结论:第一,《格萨尔王传》服饰文化中存在远古藏人的服饰遗存,出现了大量吐蕃服饰特征;从当代藏族传统服饰来看,则与牧区服饰相吻合。第二,《格萨尔王传》服饰文化不仅是古代藏族审美艺术中的一种主要形式,也是表达民族思想情感最有力的“形象语言”,是藏文化不可分割的重要组成部分,需传承、弘扬。
[Abstract]:The Biography of King Gesar is a great heroic epic written by the Tibetan people collectively. It has a long history, magnificent structure, voluminous, rich content and wide spread.The epic has evolved from generation, basic stereotype to continuous evolution, including all the primitive core of Tibetan culture, and in the process of continuous evolution, it also melts into different times Tibetan nationality about history, society, nature, science, religion, morality, custom, culture,Art and other knowledge, with high academic value, is an encyclopedia of Tibetan society.Based on the achievements of the previous generation of experts and scholars, this paper discusses all kinds of costume culture in the heroic epic "Gesar" from the angles of culture, folklore, aesthetics, sociology and religion.The first chapter explains the general background of the formation of the costume culture from the aspects of natural environment, social environment, religious belief, etc. In the second chapter, the characters in the biography of King Gesar are divided into war clothing according to their occupation types.The third chapter, on the basis of classification, summarizes the characteristics of all kinds of clothing from the five elements of dress itself, namely, quality, shape, decoration, color and painting.The fourth chapter discusses the function and value of the costume culture of King Gesar, and explains its cultural connotation. The conclusions are as follows: first, the costume remains of ancient Tibetans exist in the costume culture of King Gesar.There are a large number of Tibetan clothing features, from the contemporary Tibetan traditional clothing, and pastoral clothing consistent.Second, the costume culture is not only a main form of the ancient Tibetan aesthetic art, but also the most powerful "image language" to express the national thought and emotion. It is an inseparable important part of Tibetan culture, which needs to be passed on and carried forward.
【学位授予单位】：青海民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.9;K875.2

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