清代诗话视阈下的《诗经》阐释

发布时间：2018-04-14 01:17

本文选题：清代诗话 + 诗经　；参考：《湖北大学学报(哲学社会科学版)》2017年02期

【摘要】：清代是诗话繁兴的时期,也是《诗经》阐释的全盛时期,诗话家们在阐说诗学理论时多将《诗经》纳入评判视野,在形成自己的诗学理论体系时,也对《诗经》的文学阐释作出了很大的贡献。诗话家均以《诗经》为诗,或言其文学影响,或品析其艺术特征,或阐说其情感特色,极大地丰富了清代《诗经》阐释的风貌。清诗话从题材、体裁、语言艺术、表现手法等多方面几乎是全方位地展现了《诗经》对后世诗歌的具体影响;不少诗话家们在对《诗经》艺术特色进行阐说时,能够抛开儒家诗教观的束缚,对之进行纯艺术审美的解析;在剖析诗歌情感时,主张性情的真与正,对向为前人反对的男女之情和激越怨怒之情均加以了肯定。
[Abstract]:The Qing Dynasty was a period of flourishing poetry and the heyday of the interpretation of the Book of songs. Poeticians brought the Book of songs into the judgment field of vision when they explained the theory of poetics, and formed their own poetic theory system.He also made great contributions to the literary interpretation of the Book of songs.Poetry talkers take the Book of songs as poetry, say its literary influence, or analyze its artistic characteristics, or explain its emotional characteristics, which greatly enriched the style and features of the Qing Dynasty's interpretation of the Book of songs.The Qing poetry talks showed the specific influence of the Book of songs on the poetry of later generations in many aspects, such as the subject matter, genre, language art, expression technique and so on, and many poets explained the artistic characteristics of the Book of songs in many aspects, such as "the Book of songs", "the Book of songs", "the Book of songs" and "the Book of songs".It can cast aside the shackles of Confucian poetic teaching view and analyze the pure artistic aesthetics. In analyzing poetic emotion, it advocates the truth and correctness of temperament, and affirms the feelings of men and women who are opposed to their predecessors and the feelings of resentful anger.
【作者单位】：湖北大学文学院;
【基金】：湖北省教育厅人文社会科学重点资助项目:16D001
【分类号】：I207.22

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