透视描写:文学意境的形式基础

发布时间：2018-04-16 17:24

  本文选题：意境 + 可视性　； 参考：《重庆邮电大学学报(社会科学版)》2017年02期

【摘要】：从纪昀和王国维对"意境"的使用来看,意境源于诗人的眼前实景。诗人用语言符号将眼前的"难状之景"再现出来,读者由此想象出具有景深效果的视觉景观。意境对应的语言表达方式是描写,景是其摹仿对象,"阔远"和"如画"是其美学特征。诗人运用的透视描写是文学意境生成的形式基础,相反,议论和叙述等语言表达方式达不到这种效果。意境可分为"视错觉"式、"门窗借景"式和"平面重叠"式三种类型。意境和"不隔""诗要显"等诗歌理论的核心均为"状难写之景如在目前"。中原战乱催生了中国山水诗,南方"如画"的山水景观是意境生成的现实基础。中国现代学者对艺术品形式的轻视和对"形似"的恐惧导致了意境的泛化,虽然这能使读者远离偶像崇拜,但同时也使后者忽视了对文学作品的直观体验。现代读者没有必要在意义的问题上纠缠不休,体验到在语言中栖居的乐趣就是审美活动的理想境界。
[Abstract]:From Ji Yun and Wang Guowei on the "mood" of the use of point of view, artistic conception originates from the poet eyes. The poet with real language symbols in front of the "hard like King" reproduced, and the reader to imagine the visual landscape with depth of field effect. The conception of language expression is the description, scene is the imitation object, "wide far away" and "picturesque" is its aesthetic characteristics. The poet uses the perspective of description is the foundation of the formation of the artistic conception of literature on the contrary, argumentative and narrative language expression is not up to this effect. The artistic conception can be divided into "illusion", "window king" and "plane overlap" type three types the artistic conception of "undivided". And "the poem to show" poetry theory is "like King's difficult to write, such as in the present." the Central Plains war gave birth to the Chinese landscape poetry, southern "picturesque" landscape is a realistic basis for the formation of artistic conception. China modern scholars on the art form of "contempt and shape Like "fear leads to the conception of the generalization, although this can make readers away from idolatry, but also make the latter ignored the direct experience of the literary works. The modern reader is not necessary in the problem of meaning entanglement, to experience the dwelling in the language of the ideal realm of aesthetic activity is fun.

【作者单位】： 沈阳师范大学文学院;
【基金】：沈阳师范大学校内项目:中国文学图像化的历史与理论(XNW2016008)
【分类号】：I207.22
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本文编号：1759887