明代南戏六题

发布时间：2018-04-28 00:57

本文选题：明代南戏 + 传播　；参考：《江淮论坛》2017年04期

【摘要】：即使在昆剧兴起后,南戏仍在较大范围内流播、传布,以诸腔并盛的方式存而未绝。南戏以曲子的形式长期存续。其传播与两个问题密切相关:一与北曲在明代的持续存留以及在南曲系统的逐渐渗透有关,二与南曲的昆化有关。除南北合套外,北曲对南戏的"侵入"还采用以下方式:一是散曲之北套被曲家移植到南戏和传奇中,二是杂剧中的"折"被有机甚或机械地挪移到南戏和传奇中。最早的南戏散出昆腔化应该是在万历朝的初中期完成的,而南戏的昆化则是一个持续很长的历史过程。所谓南戏和传奇的界分,不论是就其本来的内在学理逻辑来讲,还是就对戏曲史建构的宏观影响而论,都存在这样或那样的问题,显然是一个"不该发生的故事"。南戏在江浙一带的传播再次证明:所谓传播史往往就是变异史。
[Abstract]:Even after the rise of Kunqu Opera, the Southern Opera is still in a wide range of broadcast, spread, in a variety of ways to survive and flourish. The South Opera has survived in the form of a tune for a long time. Its dissemination is closely related to two problems: one is related to the persistence of the Northern qu in the Ming Dynasty and the gradual infiltration in the Nanqu system, and the other is related to the Kunhua of the Nanqu. In addition to the combination of the north and the south, the "invasion" of the southern opera in Bei qu also adopted the following methods: first, the northern suite of the Sanqu was transplanted into the opera and legend by the songwriters, and the second was that the "fold" in the zaju was organically or mechanically moved to the south opera and the legend. The earliest South Opera dispersed from the Kun Opera should be completed in the early and middle period of Wanli Dynasty, while the Southern Opera was a long historical process. Whether in terms of its inherent theoretical logic or its macroscopic influence on the construction of the history of opera, there is one kind of problem or another, which is obviously a "story that shouldn't happen". The spread of Southern Opera in Jiangsu and Zhejiang proved once again that the so-called history of communication is often the history of variation.
【作者单位】：苏州大学文学院;
【基金】：国家社科基金重大项目“《南戏文献全编》整理与研究”(13&ZD114) 江苏社科基金重大项目“江苏戏曲文化史研究”(13JD008)
【分类号】：I207.37

【参考文献】