中国古代文论“远”范畴研究

发布时间：2018-04-28 19:50

本文选题：“远” + 范畴　；参考：《华中师范大学》2017年硕士论文

【摘要】：在中国古代文论范畴体系中,“远”是一个地位并不是很突出但却具有独特价值的文学评论范畴,对中国古代文学创作及其批评实践都产生了重要的作用。“远”作为中国古代文人把握世界的一种方式,起初表现的是一种超越的意识,强调超越具体的距离达到无限,后来进入到文艺领域表征着思想的高超深远以及风格或境界的含蓄蕴藉或“有余韵”。其在不同时期表现不同的理论内涵。本文尝试通过纵横两个方面对“远”的分析,探讨中国古代文论中“远”范畴的主要审美内涵。从横向来说,主要是探讨“远”范畴的思想渊源,并且对其理论内涵多维度的呈现进行论述。从纵向的角度来看,主要是梳理“远”范畴在各个不同阶段的具体运用及流变特征。通过这种纵横的对比,我们力求达到对“远”范畴之理论内涵的整体把握及探究,从而揭示它在古代文论中的价值以及其现实意义。第一章从“远”范畴的语义层面入手,探讨它在发展过程中的意义变化,揭示其如何逐渐从语义范畴转变为表现风格、境界的文论范畴。紧接着,探讨“远”的内涵发展变化的思想渊源,主要从儒释道这三家思想对“远”的影响谈起,重点分析“远”作为文论范畴的审美内涵源流,充分挖掘“远”范畴的内在精神及文艺智慧。第二章主要探讨的是“远”范畴在各个时代的具体运用及表现特征。本章主要从纵向上把“远”范畴的发展演变历程分为三个部分,即:一、先秦到魏晋从哲学范畴发展为人物品评范畴,并逐渐进入审美领域;二是唐代作为审美风格范畴确立,进而在宋代迎来了其发展与兴盛,并在多个艺术领域得到运用;三是明清时期作为文学评论范畴的继承与完善。在对各个时代的具体运用进行梳理、阐释中,探讨其在各个时代运用中所表现的特征。第三章主要是从“远”在文学理论批评中多维的呈现入手,探讨它作为创作主体的修养、文学作品的审美风格和文学作品的鉴赏三个层面的具体运用及多重内涵,揭示“远”范畴在中国古代文学评论中的理论内涵,并对其作为文论范畴的价值及现实意义进行阐述,挖掘“远”范畴在中国古代文论中的价值和地位,并发掘它在中国当代文学创作及批评中的现实意义。
[Abstract]:In the category system of ancient Chinese literary theory, "Yuan" is a category of literary criticism which is not very prominent but has unique value. It plays an important role in the creation of ancient Chinese literature and its critical practice. As a way for ancient Chinese literati to grasp the world, "far" at first showed a sense of transcendence, emphasizing the infinity of the concrete distance of transcendence. Later, he entered the field of literature and art to express the profound thought and the implied meaning of style or realm. It shows different theoretical connotation in different periods. This paper attempts to probe into the main aesthetic connotations of the category of "far" in ancient Chinese literary theory through the analysis of "far" in vertical and horizontal aspects. From the horizontal point of view, it mainly discusses the ideological origin of "far" category, and discusses the multi-dimensional presentation of its theoretical connotation. From the vertical point of view, it is mainly to sort out the specific application and rheological characteristics of the far category in different stages. Through this kind of vertical and horizontal comparison, we strive to grasp and explore the theoretical connotation of "far" category as a whole, so as to reveal its value in ancient literary theory and its practical significance. The first chapter starts with the semantic level of "far" category, discusses its significance changes in the process of development, and reveals how it gradually changes from semantic category to literary theory category of expressing style and realm. Then, this paper discusses the ideological origin of the development and change of the connotation of "Yuan", mainly from the influence of Confucianism, Buddhism and Taoism on "Yuan", and focuses on the analysis of "Yuan" as the source of aesthetic connotation in the category of literary theory. Fully excavate the inner spirit and literary wisdom of "far" category. The second chapter mainly discusses the specific application and performance characteristics of the far category in each era. This chapter mainly divides the evolution of "Yuan" category into three parts: first, from the pre-Qin Dynasty to the Wei and Jin dynasties, from the philosophical category to the character evaluation category, and gradually into the aesthetic field, second, the Tang Dynasty as the category of aesthetic style established. Then the Song Dynasty ushered in its development and prosperity, and was used in a number of artistic fields; third, the Ming and Qing dynasties as the category of literary criticism inheritance and improvement. In the specific use of each era to comb, explain, explore its characteristics in the use of each era. The third chapter is mainly from "Yuan" in the literary theory criticism multi-dimensional presentation, discusses it as the creation main body's accomplishment, the literature work esthetic style and the literature work appreciation three stratification concrete application and the multi-intension. This paper reveals the theoretical connotation of "Yuan" category in ancient Chinese literary criticism, expounds its value and practical significance as a category of literary theory, and excavates the value and position of "Yuan" category in ancient Chinese literary theory. And explore its practical significance in contemporary Chinese literary creation and criticism.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.2

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