唐五代诗词名物专题研究

发布时间：2018-04-29 02:04

  本文选题：唐五代诗词 + 名物　； 参考：《浙江大学》2016年博士论文

【摘要】：本论文以唐五代诗词名物为研究对象,以唐五代诗词文本为文献依托。在充分挖掘原典的基础上,将出土文献、域外文献与传世图谱、考古实物相结合,对唐五代诗词名物进行了专题考证。尝试突破传统训诂研究和单纯文学解读的观察模式,进行对还原唐五代诗词原生文学环境,揭示特定文学现象有益,且能纠正唐宋而下注本讹误的研究。在总体关照与专题拓展相结合的基础上,本文按照综合与个案两条线索编排篇章结构,以深入探讨唐五代诗词文学和名物的具体关联问题。本文共计六章内容。主要致力于以下几方面的探讨:第一,唐五代诗词名物理论研究。本论文第一章,主要对诗词名物研究和传统名物研究的分野进行了理论架构和阐释。二者的研究范围、深度和研究方法都不同。诗词名物的研究,要格外注重占有一切有价值的材料,为解析文本而服务,以突出文学本位。同时,这一章对诗词名物和诗词意象作出概念上的界定和划分。对于二者相对区分又有所勾连的关系予以分析。阐明研究诗词名物,不能离开对于名物原生态特点的考证求索。第二,金银饰品与唐五代诗词研究。金银饰品的特点在于,其具有原始财富积累意义,又衬托出唐代积极向上、充沛自信的人文与社会姿态。金银饰品是唐五代人生活的一个重要部分,这在诗词之中有充分的表现。本论文第二章分类对唐五代诗词中出现的金银饰品作出考证,主要分为冠饰、发饰、耳饰、项饰、手饰、腰饰、衣饰几部分。又着重对金银饰品在诗词中于声色表现、意象传递、情感表达方面的独特艺术特征作出释读。第三,乐器名物与唐五代诗词研究。唐五代诗词中保存了大量的乐器诗,披露了唐五代乐器的形制、演变以及在文学作品中呈现出的特质。论文第三章按照吹乐、弹拨乐、打击乐三大类对乐器进行考证。其中,对诗词中"笛"的概念进行梳理,并对吹乐在文学作品中的趋同表现进行归纳。又在考证中提出一些具体观点,如"檀槽"不是架弦琴格;"金屑"不是指金属装饰;"促柱"不是急弦行为;《乐书》中记载的"大箜篌"和"小箜篌"是竖箜篌等。最后详细剖析了乐器名物在诗词中的拟声效果,情感呈现以及意境塑造途径。第四,闺中物事与唐五代诗词研究。论文的第四章以《全唐诗》及《花间集》为底本,重点选取了最具代表性的几种闺闺阁物:屏风、枕头,窗、帘幕,灯、烛,香炉进行考证。尤其对闺中名物在唐五代诗词中的特殊表现,如"枕腻"、"背灯"等现象,以及闺中物事在文学表达中的情感特质作出深入解析。在文学的语境中,还原出真实的唐五代闺阁图景。第五,唐五代诗词经典名篇中的名物研究。不同的诗人选择名物各有特点,运用名物的方式也不尽相同。论文的第五章主要选取了三部唐五代时经典作品:温庭筠的《菩萨蛮》,白居易《长恨歌》和杜甫的《丽人行》,从名物角度对作品进行考与论的整体关照。论文在具体论证中有所突破,如对温庭筠《菩萨蛮》中的"小山"作出全新角度的考辨;详细解析"花钿"在不同文学语境下指代不同名物的现象;纠正古往今来对于杜甫诗中"珠压腰极"的注释讹误。第六,唐五代诗词经典名物词考证诠释。论文的第六章遵循个案研究的思路,选取了唐五代诗词中具有丰富内涵的三个名物词:钗头凤、簪珥、蹙金,对其进行了名物实意上的考证,又对其体现的文学意义和演变,以及突出的文化内涵作出诠释。具体名物反映了时代环境的细节,由物性到理性,再到文学情性的渗透,是一种隐性的文学生产模式,本章即对此过程予以特别关注。
[Abstract]:This paper takes the poems and words of the Tang and Five Dynasties as the research object, relying on the texts of the poems and words of the Tang and Five Dynasties. On the basis of the full excavation of the original code, the paper makes a textual research on the unearthed documents, the extraterritorial documents and the atlas of the world, and the archaeological objects, and tries to break the traditional exegesis study and the simple literary interpretation of the observation model. In order to restore the original literary environment of the poems of the Tang and Five Dynasties, to reveal the benefit of the specific literary phenomena and to correct the errors of the Tang and Song Dynasties, on the basis of the combination of the total and the thematic expansion, the text is arranged in accordance with the two clues of the comprehensive and individual cases, so as to discuss the specific customs of the poems and the names of the Tang and Five Dynasties. This article is a total of six chapters. It is mainly devoted to the following aspects: first, the theoretical study of the poems and names of the Five Dynasties of the Tang Dynasty. The first chapter of this thesis is the theoretical framework and interpretation of the research of the poems and the names of the traditional names. The research scope, depth and research methods of the two are different. We should attach great importance to the possession of all valuable materials and serve for the analysis of text to highlight the literary standard. At the same time, this chapter defines and divides the names and images of poems and words, and analyzes the relationship between the two parties. Second, the study of the gold and silver ornaments and the poems of the Tang and Five Dynasties. The characteristics of gold and silver ornaments are that the gold and silver ornaments are characterized by the accumulation of original wealth, and the cultural and social posture of the Tang Dynasty, which are abundant and confident. Gold and silver ornaments are an important part of the life of the Tang and Five Dynasties. This is a full expression in the poetry. Second of the poems. The chapter classifies the gold and silver ornaments which appeared in the poems of the Tang and Five Dynasties, mainly divided into the crown ornaments, hair ornaments, earrings, ornaments, hand ornaments, waist ornaments, clothes and other parts. It also focuses on the interpretation of the unique artistic features of gold and silver ornaments in poetry, image transfer and emotional expression. Third, musical instruments and the poems of Tang and Five Dynasties. In the five generation of poetry, a large number of musical instruments have been preserved, and the form of the Five Dynasties of the Tang Dynasty, the evolution of the musical instruments and the characteristics presented in the literary works are disclosed. The third chapters of the paper are used to examine the musical instruments in accordance with the blowing music, the plucking music and the percussion music. Among them, the concept of "Flute" in the poetry is combed, and the convergence of the music in the literary works is presented. It also puts forward some specific views in the textual research, such as "the sandalwood trough" is not a string harmonica; "gold chip" is not a metal decoration; the "pillar" is not an urgent chord; the "great treasure" and "little" are the erection. Finally, the effect of the onomatopoeia, the emotion presentation and the way of the artistic conception in the poetry are analyzed in detail. Four, the study of poetry in the boudoir and the poetry of the Tang and Five Dynasties. The fourth chapters of the paper are based on the whole Tang poetry and the collection of flowers, and select the most representative boudoir objects: screens, pillows, windows, curtains, lights, candles, and incense, especially in the poems of the Tang and Five Dynasties, such as "pillow greasy", "back light" and other phenomena, as well as boudoir. In the literary context, the true Tang Wu generation of boudoir scenes is restored. Fifth, the study of the famous objects in the classical poems of the Tang and Five Dynasties. The different poets have their own characteristics and the way of using famous objects. The fifth chapters of the paper mainly select three Tang and five. The classic works: Wen Ting Yun's < Bodhisattva >, Bai Juyi < long hate song > and Du Fu's "Li Ren Xing >", take a holistic consideration of the works from the angle of famous objects. The paper has made a breakthrough in the concrete demonstration, such as making a new angle to the "Xiaoshan" in Wen Ting Yun's "Bodhisattva"; detailed analysis of "Hua of Pearl" in different literary contexts. The phenomenon of different famous objects; rectify the annotated errors of "Pearl pressure waist" in Du Fu's poems from ancient times to the present. Sixth, the interpretation of the classical names of the poems and words of the Tang and Five Dynasties. The sixth chapters of the thesis follow the train of thought of case study, and select the three famous words with rich connotations in the poems of the Tang and Five Dynasties: hairpin, hairpin and gold. It also explains the literary meaning and evolution and the outstanding cultural connotation, which reflects the details of the times, from physical to rational and to the permeation of literary sentiment, which is a recessive mode of literature production. This chapter pays special attention to this process.

【学位授予单位】：浙江大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：I207.2
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本文编号：1817880