唐诗中的北方游牧民族乐器——以羯鼓和羌笛为研究对象

发布时间：2018-04-29 21:21

本文选题：唐诗 + 游牧民族　；参考：《民族文学研究》2017年02期

【摘要】：唐王朝开放强大,持续实行的兼容并蓄、为我所用的文化政策,推动了中原汉文化与北方游牧民族文化的交流融合。以羯鼓、羌笛、胡琴、箜篌、夞篥等为代表的北方游牧民族乐器大量传入中原地区,丰富了中原乐器的种类及其演奏,促进了诗与音乐的进一步融合。其中,羯鼓、羌笛由于音质特别、表现力丰富,不同于传统的雅乐,受到了唐人的广泛重视和欢迎,对此唐诗中有大量的描写。
[Abstract]:The cultural policy of the Tang Dynasty, which was open and powerful, continued to be carried out, and was used by me, promoted the exchange and fusion between the Han culture of the Central Plains and the nomadic culture of the North. The northern nomadic musical instruments, represented by kanggu, Qiang flute, Hu Qin, harp and Hou Li, were introduced into the Central Plains, which enriched the types and performances of the instruments and promoted the further integration of poetry and music. Among them, kanggu and Qiang flute are widely valued and welcomed by Tang people because of their special sound quality, rich expressiveness and different from traditional elegant music, and there are a lot of descriptions about them in Tang poetry.
【作者单位】：内蒙古大学文学与新闻传播学院;
【分类号】：I207.22

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