《楚辞》与中华美学的浪漫精神

发布时间：2018-05-04 09:03

本文选题：屈原 + 中华美学　；参考：《人文杂志》2017年08期

【摘要】：由屈原开创的中华美学浪漫主义美学传统有三个特点:一、理想为魂。突出体现为人神互拟,人的形象与神的形象不分,神即人。虽然神与人不分,但神是最美的人,理想的人,神于人不仅没有恐怖感,而且让人感到无比温馨。中华民族是一个崇尚理想的民族,理想之境构成了中华美学浪漫主义的灵魂。二、象征为体。浪漫主义重表现,重主观,这主观的表现,在《楚辞》中是借物象来反映的。这种主要用于展现主观的物象为象征。可以说,象征是中国浪漫主义美学之体。三、奇幻特色。抒情是一切浪漫主义的特点,《楚辞》所体现出来的特点是,多用奇幻的意象来表现不一般的情感。于是,这强烈触动我们心灵的情感不仅是至真,至善,而且至美。这三个特点体现出中国美学三个重要的哲学立场:真善美不分;现象与本体不分;现实与理想不分。
[Abstract]:There are three characteristics of the romantic aesthetic tradition of Chinese aesthetics pioneered by qu Yuan: first, ideal is the soul. The image of man is not distinguished from the image of God, and God is man. God is the most beautiful person, the ideal person, not only has no sense of terror, but also makes people feel extremely warm. The Chinese nation is an ideal nation, the ideal environment constitutes the soul of Chinese aesthetic romanticism. Second, symbolism is the body. Romanticism emphasizes expression and subjective, this subjective expression is reflected by the object image in Chu ci. This is mainly used to represent the subjective image as a symbol. It can be said that symbolism is the body of Chinese romantic aesthetics. Third, fantasy features. Lyricism is the characteristic of all romanticism. Thus, the emotion that strongly touches our hearts is not only the truth, the best, but the most beautiful. These three characteristics reflect three important philosophical positions of Chinese aesthetics: truth, goodness and beauty; phenomenon and ontology; reality and ideal.
【作者单位】：武汉大学哲学学院;
【分类号】：I207.22

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