《娱闲录》中的戏曲资料研究

发布时间：2018-05-17 22:31

本文选题：《娱闲录》 + 戏曲　；参考：《华东师范大学》2017年硕士论文

【摘要】：本文以民国初期文艺增刊《娱闲录》中的戏曲资料为研究对象,立足于新戏曲史料的发掘和整理。在着力勾画《娱闲录》的办刊始末和内容构成外,重点研究了其所反映的川省地区新旧剧发展、京川剧之争和士伶交往等焦点问题,并对所刊剧本做了整体性的解读,以考察清末民初成都地区的戏曲艺术观。为此,本文分前后五章,并附附录三种以为补充。第一章以樊孔周的生平事迹为切入点,着重介绍了由樊孔周牵头,在吴虞、胡鸿勋、方于彬、刘长述等人的支持配合下,四川公报增刊《娱闲录》的创刊始末。此外,此章还尝试分析了《娱闲录》办刊宗旨与内容特色。作为增刊单独发行的《娱闲录》共发行二卷二十七册,它坚持开门办报,内容丰富,图文并茂,制作精良。在内容上集小说、戏曲、诗词于一体,注重平衡杂志的娱乐性与教育性,受到了读者的极大欢迎。第二章分类介绍《娱闲录》所刊戏曲资料。通过对《娱闲录》中的戏曲文献资料进行梳理,将其大致分为四类:伶人小照(剧照)、小史类,剧本,剧评及其他戏曲相关资料,并对四种戏曲资料加以简要分析与初步研究。第三章考察研究民初蜀地戏曲批评实况。民初四川戏剧界,一方面沿袭儒家礼乐大道,关注戏曲的社会功用,强调戏曲对民众的启蒙效果,另一方面,又越发重视戏曲本身的审美性,追求戏曲活动的美学价值,在戏曲本体论和戏曲艺术改良方面发出了诸多声音。第四章对《娱闲录》中体现的士伶交往事实进行梳理,并探求其原因。清末民初,士伶交往频繁,究其原因有三:皇族热捧和启蒙思潮,一定程度上提高了伶人地位;川省刀兵战祸、匪盗天灾加重了士人寻求理解和及时行乐的意愿;部分伶人重文好学、行侠尚义,其名士风度吸引文人引其为知己。第五章整体研究《娱闲录》所刊剧本,介绍了各剧本的刊行期号、作者译者、内容概要、本事来源等,并对此时剧本中的家国情怀加以分析,认为其中既有对传统戏曲"大旨谈情"、"扬忠刺奸"的眷恋与弘扬,又有对新的时代背景下新的社会问题的关注和反思。
[Abstract]:In this paper, the literature supplement in the early period of the Republic of China "entertainment" as the research object, based on the new drama historical materials excavation and collation. Besides the beginning and end of the publication and the composition of the contents, this paper focuses on the focal issues such as the development of the new and old dramas in Sichuan Province, the contention between Beijing and Sichuan dramas, and the interaction between scholars and actors, and makes a holistic interpretation of the scripts of the journals. In order to investigate the late Qing Dynasty and the early Republic of China Chengdu area opera art view. To this end, this article is divided into five chapters, and appendix three as a supplement. The first chapter takes Fan Kongzhou's life story as the breakthrough point, emphatically introduces Fan Kongzhou's lead, with the support of Wu Yu, Hu Hongxun, Fang Yubin, Liu Changshu, etc. In addition, this chapter also tries to analyze the purpose and content features of the publication. As a supplement to the separate issue of "Entertainment Records" a total of two volumes of 27 copies, it adhere to open the newspaper, rich in content, picturesque, well-produced. The content of the novel, drama, poetry in one, pay attention to the balance of the magazine's entertainment and education, has been greatly welcomed by readers. The second chapter classifies and introduces the drama materials published in the Book of Recreation. Through combing the literature of drama in "Recreation of Entertainment", it can be divided into four categories: the actor and the actor, the small history, the script, the drama evaluation and other opera related materials, and the brief analysis and preliminary research on the four kinds of drama materials. The third chapter studies the criticism of Shudi opera in the early Republic of China. At the beginning of the Republic of China, the drama circles in Sichuan, on the one hand, followed the Confucian ritual and Music Avenue, paid close attention to the social function of the opera, and emphasized the enlightenment effect of the opera to the people. On the other hand, they paid more and more attention to the aesthetic character of the opera itself and pursued the aesthetic value of the opera activities. In the opera ontology and opera art improvement made a lot of voices. Chapter four combs the facts of taxi actors'communication and explores the reasons. At the end of the Qing Dynasty and the beginning of the Republic of China, there were three reasons for the frequent exchanges between scholars and actors: the popularity of the imperial family and the enlightenment trend improved the status of the actors to a certain extent, the war disaster of sword and soldiers in Sichuan Province, and the natural disaster of banditry aggravated the willingness of the scholars to seek understanding and to enjoy themselves in time and time; Some actors like to learn to do chivalrous Shangyi, its personage demeanor attracted literati as his confidant. The fifth chapter studies the screenplay published in the Book of Recreation, introduces the publication date of each play, the author and translator, the summary of the content, the source of ability, etc., and analyzes the feelings of family and country in the play at this time. The author thinks that there are not only the sentimental attachment and promotion of the traditional opera "talk about emotion" and "Yang's loyalty and thorns", but also the concern and reflection on the new social problems under the new background of the times.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.3

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