王华小说生态意识研究

发布时间：2018-05-18 02:12

本文选题：王华小说 + 生态意识　；参考：《贵州师范大学》2017年硕士论文

【摘要】：贵州作家王华自1996年开始小说创作以来,多次在《当代》、《人民文学》等“国字号”刊物上发表小说,并多次获奖。但学界对王华的研究与作家取得的成就不成正比。即使是关注到王华的学者,也只适当点染,深入研究的不多,研究视野也较为局限。这极大阻碍了王华作品的向外推介,也不利于贵州本土文学的对外传播。在生态思想逐渐成为一种思潮,甚至成为一门显学的当代,本文试图对王华小说中的生态意识进行研究,考察作家生态视域下的自然关怀和生命关怀,以此丰富王华小说研究,为促进贵州文艺发展献上绵薄之力。全文分为三章,主要内容如下:第一章对王华生态意识的产生进行追本朔源,从乡村逆变、时代背景、文化熏陶和创作观念的四个方面进行。其中生活经历形成了作家的乡村视域,20世纪80年代中期以来生态文学蓬勃发展成作家关注生态的时代背景,傩文化中的人与自然和谐相处的理念也对作家有一定影响,勇担社会责任的创作观让作家更倾向于关注现实生活中的问题。揭示作家指向乡村世界的生态危机与乡村人的精神危机的创作背景。第二章研究王华小说中呈现的人类的生存困境和精神困境。通过分析小说乡村生态的末日景象和乡村社会成为人们受难的“生死场”,来表现乡村的生存困境;小说中人物的精神之死和爱情之死则是精神困境的表现。王华给读者描绘了一个生态“恶托邦”,以此表达作家对生态破坏的隐忧。第三章进一步分析王华小说中超越人类中心主义的理想。人类不顾生态承载能力盲目发展,导致人类家园的失落。“搬家”让人类处于无根的漂泊中,精神也将无所归依。所以人类企图“回家”,重拾回归家园的梦想。作家塑造“文化英雄”来作为生态拯救的急先锋,在追求人与自然和谐,人与人和谐的过程中,逐渐超越人类中心主义,人与自然由对立走向统一。
[Abstract]:Since the creation of the novel in 1996, Guizhou writer Wang Hua has published novels many times in "the Contemporary", "the people's Literature", and so on, and won many awards. However, the academic research on Wang Hua is not proportional to the writer's achievement. Even the scholars who pay attention to Wang Hua, only appropriate spot, the in-depth study is not much, the research field is also relatively limited. This greatly hinders the outward introduction of Wang Hua's works, and is not conducive to the dissemination of Guizhou's native literature. The ecological thought has gradually become a trend of thought, even a prominent contemporary. This paper attempts to study the ecological consciousness in Wang Hua's novels, and investigate the natural care and life care in the writer's ecological horizon, so as to enrich the study of Wang Hua's novels. In order to promote the development of Guizhou literature and art contribution to a modest force. This paper is divided into three chapters. The main contents are as follows: the first chapter traces the origin of Wang Hua ecological consciousness from four aspects: rural inversion, background of the times, cultural edification and creative ideas. Among them, the life experience has formed the writer's village horizon. Since the mid-1980s, ecological literature has developed vigorously into the background of writers' attention to ecology. The idea of harmonious coexistence between man and nature in Nuo culture also has a certain influence on writers. The creative view of brave social responsibility makes writers more inclined to pay attention to the problems in real life. The author points to the ecological crisis in the rural world and the creative background of the spiritual crisis of the rural people. The second chapter studies the plight of human existence and spiritual dilemma in Wang Hua's novels. By analyzing the apocalyptic scene of the village ecology and the fact that the rural society has become the "field of life and death" suffered by people, it is shown that the living predicament of the village is represented by the death of the spirit and love of the characters in the novel, while the death of the characters in the novel is the manifestation of the spiritual dilemma. Wang Hua depicts an ecological "evil state" to express the writer's worries about ecological destruction. Chapter three further analyzes the ideal of transcending anthropocentrism in Wang Hua's novels. The blind development of human beings regardless of ecological carrying capacity leads to the loss of human homeland. Moving makes the human being rootless, and the spirit will be gone. So the human race attempts to "go home" and regain the dream of returning to their homeland. In the process of pursuing harmony between man and nature and harmony between man and man, writers gradually transcend anthropocentrism and change from opposition to unity between man and nature as the vanguard of ecological salvation.
【学位授予单位】：贵州师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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