文图:文学史叙述的新途径——以战后至1970年代的台湾、香港文学为例

发布时间：2018-05-19 10:03

本文选题：文图关系 + 台湾文学　；参考：《福建论坛(人文社会科学版)》2017年10期

【摘要】：台湾、香港现当代文学图像既有中华文化传统(包括五四新文化传统)的多层面影响,又长期受到殖民地宗主国文化和世界性文化思潮等外来影响,也较长时间生成于移民和城市文化的演变中,其表现出来的文学与图像关系更紧密地联系着其自身的文学思潮、媒介传播形态等。战后至1970年代是台湾、香港文学历史发展最重要的时期,其文学与图像关系的演变,一是密切反映了现实主义的深化、现代主义的兴盛等思潮运动,由此文图关系成为我们能更开阔考察文学变革的重要内容;二是密切联系着现代社会媒介的多元化,包括现代印刷术、影视、多媒体等在内的现代媒介先后兴起,成为文学图像变化最重要的源头,文学与这些媒介的联姻,成为台湾、香港文学建构自身传统的重要内容。战后至1970年代台湾、香港文学的这种考察,证明文图可以成为文学史叙述的新途径、新方式。
[Abstract]:The modern and contemporary literary images of Taiwan and Hong Kong are influenced by both the Chinese cultural tradition (including the May 4th New Cultural tradition) and the foreign influences such as the colonial sovereign state culture and the world cultural trend of thought for a long time. It also appeared in the evolution of immigration and urban culture for a long time. The relationship between literature and image is more closely related to its own literary trend of thought, media communication form and so on. From the postwar to the 1970s, Taiwan was the most important period in the history of Hong Kong literature. The relationship between its literature and its images evolved. First, it closely reflected the deepening of realism and the flourishing of modernism. As a result, text-graph relations have become an important part of our broader study of literary reform. Second, they are closely related to the diversification of modern social media, including the rise of modern media, including modern printing, film and television, multimedia, etc. It has become the most important source of literary image change, and the marriage between literature and these media has become an important content of the traditional construction of literature in Taiwan and Hong Kong. From postwar to 1970s, the investigation of Hong Kong literature proved that text and drawing can become a new way and a new way to narrate literary history.
【作者单位】：南开大学文学院;山东大学文学院;
【基金】：南开大学亚洲研究中心资助项目(AS1612) 国家社科基金青年项目(项目批准号:15CZW007)
【分类号】：I206.7

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