从两性关系中看方方笔下的男性形象

发布时间：2018-05-21 20:16

本文选题：方方 + 两性关系　；参考：《上海外国语大学》2017年硕士论文

【摘要】：方方作为新写实文学的代表作家之一,从1982年发表作品以来,一直笔耕不缀,硕果累累。近年来,研究界对方方作品的研究已经取得了不少成果,尤其是对方方作品中女性形象研究已经比较透彻,但对其笔下男性形象的研究成果比较少。因此本文将方方小说中的男性形象作为研究对象进行深入挖掘,对作品中的男性形象进行较为细致的分类研究,希望此研究能加深对方方小说的认识和解读。本文将采用文本细读的方法对其作品中的男性形象进行归纳、概括和研究,并借鉴一定的女性主义理论做文本分析的支撑,从爱情、婚姻中的男性形象出发分析方方对男性的态度。方方对男性的思考是全方面的,不管是男性在爱情中的自卑懦弱,还是男性在婚姻中的背叛、自私,都体现了方方对男性世界的观察、批判和思考以及对两性关系的探寻,进而挖掘出其笔下男性形象所承担的文化内涵与价值所指。全文共有四章构成,每一章的主要内容分别如下:第一章概述方方小说中男性形象产生的时代背景以及方方家庭教育背景及社会经历使方方关注底层人物的生活,其中包括对男性的关注和审视;第二章结合具体的小说文本分析方方小说中的男性形象,用归纳的方法把方方笔下的爱情中男性形象分为三类:懦弱的男性形象、自私的男性形象和对爱情执着的男性形象;第三章归纳婚姻家庭中男性形象:婚姻中的无奈挣扎者、借助婚姻上位者和婚姻中责任缺失者形象;第四章总结了方方在小说中通过对男性形象的描写探索其中所蕴含的文化内涵。
[Abstract]:Fang Fang, as one of the representative writers of new realistic literature, has been a fruitful writer since he published his works in 1982. In recent years, many achievements have been made in the research of the works of the opposite side, especially the research on the female images in the works of the other side has been thorough, but the research results on the male images in his works are relatively few. Therefore, this paper takes the male image in Fang Fang's novels as the object of study, and makes a more detailed classification of the male images in the works, hoping that this study can deepen the understanding and interpretation of Fang Fang's novels. This paper will use the method of text reading to sum up, summarize and study the male images in his works, and draw lessons from the feminist theory to support the text analysis, from the love, The male image in marriage sets out to analyze Fang Fang's attitude towards men. Fang Fang's thinking on men is all-around. Whether it is male inferiority complex in love, male betrayal in marriage, selfishness, it reflects Fang Fang's observation, criticism and reflection on the male world, as well as the exploration of the relationship between men and women. Then dig out the cultural connotation and value of the male image in his works. The main contents of each chapter are as follows: the first chapter summarizes the background of the generation of male images in Fang Fang's novels, and the family education background and social experience of Fang Fang, which makes Fang Fang pay attention to the life of the characters at the bottom. The second chapter analyzes the male images in Fangfang's novels with concrete texts, and classifies the male images in Fangfang's novels into three categories by inductive methods: cowardly male images. The third chapter sums up the male image of marriage and family: the helpless struggling person in marriage, the image of the superior person in marriage and the lack of responsibility in marriage; Chapter four summarizes Fangfang's cultural connotations by describing male images in his novels.
【学位授予单位】：上海外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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