骑马与骑驴——宋代词人的审美选择与文体认知

发布时间：2018-05-25 03:33

  本文选题：骑马 + 骑驴　； 参考：《山西师大学报(社会科学版)》2017年04期

【摘要】：骑马还是骑驴不单是一个骑什么工具的问题,它还反映了一定的文化审美心理或者文体观念:翻开《全宋词》会发现大量词人骑马或写马的意象,而"驴"则很少抒写;而去查看宋人史料笔记或《全宋诗》,又会发现宋人日常生活是骑驴的,诗中也不避讳写驴。其中原因就在于骑驴所附着的文化背景,即诗人骑驴苦吟和落拓的身世,这两点与宋词即席而就的创作环境和以富为美的审美感受是格格不入的,而宋诗则延续了下来;还有就是宋词的"尚雅"观念也与驴所代表的气质不相符。因此在诗词的抒写中写骑驴还是骑马是体现了作者的审美选择和文体观念的。
[Abstract]:Whether riding a horse or a donkey is not only a question of what tool to ride, but also reflects a certain cultural aesthetic psychology or stylistic idea. If you look at the historical notes of Song people or the whole Song poem, you will find that the daily life of Song people is donkeys, and the poems are not taboo to write donkeys. The reason lies in the cultural background attached to the donkey riding, that is, the experience of the poet riding the donkey, which is incompatible with the creation environment and the aesthetic feeling of "rich as beauty", and the poetry of the Song Dynasty continues; There is also the Song ci "Shangya" concept and donkey on behalf of the temperament does not match. Therefore, the writing of riding a donkey or riding a horse reflects the author's aesthetic choice and stylistic concept.
【作者单位】： 河南师范大学文学院;
【分类号】：I207.23
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本文编号：1931914