孔子“兴观群怨”说中的“兴”义原论

发布时间：2018-05-25 19:59

  本文选题：“兴” + “乐语”　； 参考：《西藏民族大学学报(哲学社会科学版)》2017年02期

【摘要】："兴观群怨",历来被认为是孔子诗教思想的核心命题。古今论者,多结合《诗经》的创作实际,从《诗》"六义"的角度,将"兴观群怨"说中的"兴"理解为一种艺术创作手法。这种看法忽略了两点:一是《诗经》创作之初,作为艺术手法的"兴"的概念尚未提出;二是孔子论"兴",也从来不是讨论创作。从西周学校所教的"乐语"中的"兴"义溯源,结合《论语》等文献,并就其有关"兴"的使用实例加以仔细的辨析,可以发现:"兴",始终关系到孔门诗教最终目标的达成——即如何用诗来塑造儒家的理想人格——这是正确理解"兴"的关键。只有认识到这一点,才能揭示出"诗可以兴"这一诗学命题的真正的理论内涵。
[Abstract]:It has always been regarded as the core proposition of Confucius' poetic teaching thought. Ancient and modern theorists, in combination with the actual creation of the Book of songs, from the angle of "six meanings", understand "Xing" in the theory of "interest and view of the masses" as an artistic creation technique. This view ignores two points: first, at the beginning of the Book of songs, the concept of "Xing", as an artistic technique, has not been put forward; second, Confucius' theory of "Xing" has never been discussed. Tracing back to the meaning of "Xing" in "Yue Yu" taught by the Western Zhou School, combining with the literature such as the Analects of Confucius and other documents, and carefully discriminating and analyzing the examples of the use of "Xing". It can be found that "Xing" is always related to the achievement of the ultimate goal of Confucian poetry teaching, that is, how to use poetry to shape the ideal personality of Confucianism, which is the key to correctly understand "Xing". Only by realizing this point can we reveal the true theoretical connotation of the poetics proposition.
【作者单位】： 西藏民族大学文学院;
【分类号】：I207.22
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本文编号：1934486