抗战戏剧中的陪都重庆形象

发布时间：2018-05-31 03:16

本文选题：抗战戏剧 + 陪都　；参考：《西南大学》2017年硕士论文

【摘要】：抗日战争时期,重庆一跃成为国际名城,众多文人纷纷前往重庆并创作了大量书写陪都重庆的作品。在战争语境和陪都身份的规约下,抗战戏剧中的陪都重庆呈现出丰富驳杂的多重面孔;戏剧明暗场与意识形态的结合,使戏剧中的陪都重庆形象有着区别小说的特殊魅力;作为城市的延伸的人是戏剧的核心,一颦一笑、一举一动成为反观重庆的重要窗口。本文从多个维度对抗战戏剧中的重庆形象进行阐发,发掘重庆城市想象的特性和价值,并期冀对抗战戏剧研究有所推进。全文的思路结构和主要内容如下:绪论部分。介绍研究现状,阐发选题价值,提出研究思路。第一章陪都:因战生变之城。本章讨论重庆战时首都地位的确定对戏剧创作和重庆书写的影响。作家对战时首都形象的认同和维护,戏剧创作应抗战的需要,国民党对文艺的统制,使得重庆的精神堡垒形象得到强化;重庆作为抗战司令部遭受日军的大轰炸,但敌人的轰炸非但没能摧毁人民抗战的决心,反而激发了人民的民族认同感,唤醒了人民的民族意识,民族话语压倒一切贯穿抗战戏剧的始终;重庆虽是战时之都,但剧作家与重庆貌合神离的体验使其难以产生归属感,陪都自此沦为陪衬之都,家与国之间彼此离散,于是,在而不属的人与物成了抗战戏剧中的典型画面。第二章空间政治:明暗交错中的重庆形象。本章以空间政治作为切入点,描述了剧作家对戏剧明场与暗场的熟练运用。通过戏剧空间及其布局的变动展现了人物身份、命运的转变,以空间为斗争场所体现了不同意识形态间的对抗。在明暗场的配合下,不同阶级的声音纷纷奏响,占统治地位的阶级通过空间分隔,将其他阶级排斥在自我空间之外,使得另一阶级只能在暗场中频频发声以此挑战统治阶级的权力。在抗战戏剧中,劳动阶级的声音是响彻在暗场里的“钟声”,钟声的响起对戏剧情节有着重要的影响,体现出剧作家对于劳动阶级的关注,也体现出劳动阶级作为一个新的文学生长点在文学作品中的翻身。第三章熔炉:命运的锻造厂。本章分析了城市的主体即人,以人来反观重庆。剧作家倾向于设置正反对峙的戏剧人物结构,在反差中满足戏剧的需要、传达剧作家的价值判断;在后方重庆的现实环境与戏剧的共同作用下催出了两朵奇花,以延宕的青年和寄生草般的女性这两种人物群像为代表,通过这些青年的走向以及后方重庆女性的境遇以此叩问了中国的未来,反思了重庆的社会现实。
[Abstract]:During the War of Resistance against Japan, Chongqing became an international city, many scholars went to Chongqing and created a lot of writing works of Chongqing. Under the stipulation of war context and capital identity, Chongqing, the capital of the War of Resistance against Japan, presents rich and complicated faces, and the combination of drama, dark and light, and ideology makes the image of Chongqing, the capital of the drama, with the special charm of distinguishing novels. As an extension of the city, people are the core of drama. This paper analyzes the image of Chongqing in the drama of the War of Resistance against Japan from several dimensions, explores the characteristics and values of Chongqing's urban imagination, and hopes to promote the study of the drama of the War of Resistance against Japan. The structure and main contents of this paper are as follows: introduction. This paper introduces the present situation of the research, explains the value of the selected topic, and puts forward the research ideas. Chapter one: the capital: the city changed by war. This chapter discusses the influence of Chongqing's wartime capital status on drama creation and Chongqing writing. The writers' recognition and maintenance of the image of the wartime capital, the need for drama creation to meet the needs of the War of Resistance against Japan, and the Kuomintang's control of literature and art strengthened the image of Chongqing's spiritual fortress, which was bombed by the Japanese army as the headquarters of the War of Resistance against Japan. However, instead of destroying the people's determination to resist the war, the enemy's bombing has aroused the people's national identity and awakened the people's national consciousness. National discourse prevailed throughout the drama of the War of Resistance against Japan. Although Chongqing was the capital of the war of war, But the experience of the playwright and Chongqing makes it difficult to produce a sense of belonging. Since then, all the playwrights have become the capital of the foil, and the families and countries are separated from each other. Therefore, the people and things which do not belong to it have become a typical picture in the dramas of the War of Resistance against Japan. Chapter two Space Politics: the Image of Chongqing in the intertwining of Light and Dark. In this chapter, space politics is taken as the starting point to describe the dramatists' skillful use of the drama's bright and dark fields. Through the change of drama space and its layout, the characters' identity and fate are changed, and the confrontation between different ideologies is embodied in the space as the place of struggle. With the cooperation of the light and dark fields, the voices of different classes played one after another, and the dominant class separated by space excluded the other classes from their own space. The other class could only challenge the power of the ruling class in the dark. In the drama of the War of Resistance against Japan, the voice of the working class is the "bell" ringing through the dark field, and the ringing of the bell has an important influence on the drama plot, reflecting the playwright's concern for the working class. It also reflects the transformation of the working class as a new literary growth point in literary works. Chapter III melting Furnace: the forging Factory of fate. This chapter analyzes the main body of the city, that is, people, to reflect Chongqing. The playwright tends to set up the structure of the character of the drama, meet the needs of the drama in contrast, convey the value judgment of the playwright, and push out two wonderful flowers under the action of the realistic environment and the drama in the rear of Chongqing. Taking the delayed youth and the parasitic grass like women as the representatives, this paper explores the future of China and reflects on the social reality of Chongqing through the trend of these young people and the situation of Chongqing women in the rear.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.3

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