水族诗人潘一志旧体诗写作及其意义

发布时间：2018-06-08 13:18

  本文选题：文化习得 + 身分缺失　； 参考：《民族文学研究》2017年06期

【摘要】：百年新诗在"格律"与"自由"之间曾出现过出离与复归的摇摆,但显然,西化式写作已然成为汉语诗歌写作的一大潮流。在部分少数民族文人汇入新诗的西化写作浪潮之同时,饶有意味的是,边地贵州的水族诗人潘一志却写出了古典汉诗韵味十足的旧体诗,这一独特的文化景观为现代汉语诗歌的发展路向提供了不一样的思考。从文化的被启蒙到文化自觉,文化身分的混杂与家国重建努力的时代背景,共同催生了以潘一志为代表的少数民族诗人旧体诗写作的现代因子。将此类诗歌置放在百年新诗历程的现代性语境下去考察,不仅具有民族文学研究的意义,对于现代中国诗歌的发展也大有裨益。
[Abstract]:The century-old poetry has been swinging between "Rhythm" and "Freedom", but it is obvious that westernized writing has become a major trend in Chinese poetry writing. While some minority literati have merged into the westernized writing tide of new poetry, it is significant that Pan Yizhi, a aquatic poet in the border region of Guizhou, has written old style poems with the full charm of classical Chinese poetry. This unique cultural landscape provides different thinking for the development of modern Chinese poetry. From the enlightenment of culture to the consciousness of culture, the mixing of cultural identity and the background of the reconstruction of the family and country, the modern factors of the traditional poetry writing of the minority poets, represented by Pan Yizhi, were spawned together. It is not only of significance to study the national literature, but also beneficial to the development of modern Chinese poetry.
【作者单位】： 贵州民族大学文学院;
【基金】：国家社会科学基金项目“新诗写作背景下的旧体诗研究(1917-1927)”(项目编号:15BZW177)阶段性成果
【分类号】：I207.25

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