缺憾还诸天地:王文兴小说的主题研究

发布时间：2018-06-16 20:02

本文选题：《现代文学》 + 威权统治　；参考：《福建论坛(人文社会科学版)》2017年08期

【摘要】：王文兴是台湾当代文学现代主义的标志性代表。他曾是《现代文学》刊物的创始人之一,《现代文学》时期的他就以现代主义文学先锋姿态享誉台湾文坛。之后,他分别发表了《家变》和《背海的人》两部震动文坛的长篇小说,这两部小说摆脱了他1960年代各种现代主义写作技艺的束缚,将自己对台湾现实父权、威权政治的反抗发挥到了极致。更可贵的是,在长达四十年的台湾当局的戒严时代,王文兴以现代主义的象征、隐喻和戏拟对历史和现实的台湾进行一种批判性的文学阐释,而且他执着于对今世今生的台湾世态人生的刻画。可以说,在这种现代主义技艺的高超实践和现世人生的精心雕琢中,王文兴攀登到了自己的艺术高峰,也成为台湾文学难以逾越的艺术高峰。
[Abstract]:Wang Wenxing is an iconic representative of modernism in Taiwan's contemporary literature. He was one of the founders of Modern Literature. In the period of Modern Literature, he became a pioneer of modernist literature in Taiwan. After that, he published two novels that shook the literary world, "Family change" and "the Man of the Sea," which freed himself from the shackles of his modernist writing techniques in the 1960s and gave him patriarchal power over the reality of Taiwan. The revolt of authoritarian politics reached its extreme. What is even more valuable is that during the 40-year martial law era of the Taiwan authorities, Wang Wen-hsing intended a critical literary interpretation of historical and realistic Taiwan with the symbolism, metaphor and drama of modernism. And he clung to the depiction of the life of Taiwan in this life. It can be said that in the superb practice of modernism and the elaborate carving of the present life, Wang Wenxing climbed to his own art peak and became an insurmountable artistic peak in Taiwan literature.
【作者单位】：浙江大学中文系;
【分类号】：I207.42

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