词章趣味与经典重置:以《檀弓》批点为中心

发布时间：2018-06-17 06:58

  本文选题：《檀弓》 + 评点　； 参考：《文学遗产》2017年04期

【摘要】：明代中叶以降,《礼记·檀弓》批点本颇为流行,是儒家经典被重新"文学经典化"的一个突出案例。批点本《檀弓》并非如《四库全书总目》所疑,出于明末伪托,其文献源头可以追溯到杨慎的《檀弓丛训》,成书下限不晚于弘治十五年(1502)。《檀弓》批点及其所代表的"以文论经"的风尚,也并非始于晚明,而是明中期以来复古思潮向博学泛览方向发展的结果。儒家经书《檀弓》,在科举的知识领域中受到忽视,出于文章趣味而圈点、批评、选辑或单独刊行之,实为其"再经典化"之契机。以《檀弓》为代表的一批古书被视为文章范本,隐然拆去了经、史、子、集之间的门限,扩展了一般读书人的知识视野,正是明清之际士人思想与文学世界的一大变局。
[Abstract]:In the middle of the Ming Dynasty, the sandalwood bow of the Book of Rites was quite popular, which was an outstanding case of the reversion of Confucian classics into literary canonization. This sandalwood bow is not suspected of the end of the Ming Dynasty, as in the book of contents of Siku. The source of its literature can be traced back to Yang Shen's "sandalwood arches". The lower limit of the book was not later than 15 years after Hongzhi. But since the middle of the Ming Dynasty, the trend of thought to the development of the direction of erudite. Sandalwood Arch, which is neglected in the field of imperial examination, is the opportunity of "re-classicalization" by criticizing, selecting or publishing it alone. A number of ancient books, represented by sandalwood arch, were regarded as model articles, and the threshold between classics, history, children and collections was hidden, which expanded the knowledge horizon of general scholars, which was a great change in the thought and literary world of scholars in Ming and Qing dynasties.
【作者单位】： 香港中文大学中国语言及文学系;
【分类号】：I206.2
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本文编号：2030155