青岛的殖民现代化构形—论文学中1897-1949年的青岛

发布时间：2018-06-18 23:30

本文选题：青岛 + 城市想象　；参考：《西南大学》2017年硕士论文

【摘要】：1897年德国占领了胶州湾并对其进行了长达十五年的统治,1914年第一次世界大战爆发,日本从德国手中接管了青岛,1922年北洋政府收回青岛,但随着第二次世界大战的爆发,青岛再次沦陷日本之手,直到1945年才被国民党接收,1949年获得解放。青岛一波三折的殖民历史赋予这座城市足够的话题性,知识分子对青岛的想象受到民族国家观念和政治意识形态的影响,对其殖民现代化的态度显得矛盾而复杂。本文围绕殖民与现代化的同构过程,对知识分子的青岛书写进行了研究,除绪论和结语之外,正文分为三章。绪论部分简要阐明青岛城市想象研究的选题价值和意义,并对研究现状进行评述。第一章从人物形象的塑造入手,考察殖民现代化在文学中的表现及影响,以三对反差的人物形象为切入点,在德国殖民者的建设与日本殖民者的破坏、知识分子的积极入世和前清遗臣的消极避世、娼妓的可怜可叹与走狗的可悲可恨中,体察到殖民历史带给青岛的喜怒哀乐,理解作者褒贬共存的矛盾心理。第二章以现代化西方文明对中国传统的规训为立足点,揣摩作家对于殖民现代性与中国传统相互冲突的表达。现代性对传统的规训必然引发冲突,尤其是当现代性背靠殖民势力,规训过程具有了殖民色彩。在二者共同作用下,中国社会的传统受到极大冲击,青岛俨然成为一个洋人的城市。在从一个小渔村脱胎换骨成现代化旅游贸易都市的过程中,无论是空间的重塑、现代化基础设施的建设还是现代生活习惯的树立,其根本出发点都是为了让殖民者在青岛更好地生活,原本生活在这片土地上的中国人却不得不摒弃原先的生活状态投入到殖民者的生活节奏里。殖民现代化让青岛更接近西方文明的同时,也消磨了具有地方特色的中国文化传统。第三章以第二章的研究为基础,从作家对殖民现代化的选择中探寻他们的创作动机和情感。出于民族意识和家国情怀,作家对殖民现代化带来的国际化与都市体验始终保持着距离,在歌颂都市五光十色的声音中,一种反殖民现代化的表达方式不容忽视。在文学作品中,作家一方面利用民族传统文化和地方特色来冲淡殖民色彩和现代化特征;另一方面又通过展现都市弊病来质疑殖民现代化的合理性。除此之外,作家还以异国恋的离散结局喻示区隔的东西方文化难以弥合。凡此种种,皆属殖民现代化进程中的异调,它们表达出作家对这一进程的反抗,映射出他们内心既渴望又排斥的矛盾情感。结语总结概括全文。
[Abstract]:In 1897, Germany occupied Jiaozhou Bay and ruled it for 15 years. In 1914, when World War I broke out, Japan took over Qingdao from Germany, and the Beiyang government recovered Qingdao in 1922, but with the outbreak of World War II, Qingdao once again fell to Japan and was not accepted by the Kuomintang until 1945 and was liberated in 1949. The twists and turns of the colonial history of Qingdao gave the city enough topic. The intellectuals' imagination of Qingdao was influenced by the national state concept and political ideology, and the attitude towards its colonial modernization was contradictory and complicated. This paper focuses on the isomorphic process of colonization and modernization, and studies the writing of intellectuals in Qingdao. Besides the introduction and conclusion, the text is divided into three chapters. The introduction briefly expounds the value and significance of the topic of Qingdao urban imagination research, and comments on the status quo of the research. The first chapter begins with the shaping of the character image, examines the expression and influence of colonial modernization in literature, taking the three pairs of contrasting characters as the starting point, the construction of the colonists in Germany and the destruction of the Japanese colonists. The active entry of intellectuals and the passive escape of former Qing officials, the pity of prostitutes and the sad hate of running dogs, the understanding of the happiness and sadness brought by the colonial history to Qingdao, the understanding of the author's contradictory psychology of praise and demoralization. The second chapter takes the modern western civilization's discipline and discipline to Chinese tradition as the foothold, and tries to figure out the writer's expression of the conflict between the colonial modernity and the Chinese tradition. Modernity inevitably causes conflict to traditional discipline, especially when modernity is backed by colonial forces, the process of discipline has colonial color. Under the joint action of the two, the tradition of Chinese society was greatly impacted, and Qingdao became a foreign city. In the process of transforming a small fishing village into a modern tourist and trading city, whether it is the reconstruction of space, the construction of modern infrastructure or the establishment of modern living habits, Its basic starting point is to let the colonists live better in Qingdao, but the Chinese people who originally lived on this land had to abandon their original living conditions and put themselves into the rhythm of the colonists' lives. The colonial modernization brought Qingdao closer to western civilization and also killed the Chinese cultural tradition with local characteristics. The third chapter, based on the second chapter, explores their creative motives and emotions from the writers' choice of colonial modernization. Out of the national consciousness and the feelings of family and country, the writer's internationalization brought about by colonial modernization has always maintained a distance from the urban experience. In the singing of the colorful voice of the city, an anti-colonial modernization expression can not be ignored. In literary works, on the one hand, writers use national traditional culture and local characteristics to dilute the colonial color and modernization characteristics; on the other hand, they question the rationality of colonial modernization by showing the shortcomings of the city. In addition, the writer also shows that the separated eastern and western cultures are difficult to heal with the discrete ending of foreign love. All these are different tones in the process of colonial modernization. They express the writers' resistance to this process and reflect their contradictory feelings of desire and rejection. The conclusion summarizes the full text.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206

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