中国新文学作家与侠文化研究述评与反思

发布时间：2018-06-19 00:45

本文选题：中国新文学作家 + 侠文化　；参考：《山东师范大学学报(人文社会科学版)》2017年02期

【摘要】：将中国新文学作家及其作品文本置于侠文化理论视野下进行整体观照和详尽解读,以此透视他们对待传统文化的真实态度及对侠文化进行创造性转化的现实改造思路,会有效地回应那些误读五四的论调。但长期以来,由于意识形态尤其是政治的或学术立场的原因,该课题并未得到学界足够的重视。随着1990年代大陆侠文化研究热潮的兴起,加上学界对五四新文化运动的反思,一向被视为反传统的新文学作家与不受学界重视的侠文化取得了价值的契合点,新文学作家与侠文化才作为一个重要课题受到人们的关注,并且已经出现了许多研究成果。其中,既有显著的成就,也存在明显的不足。对新文学作家与侠文化研究的历史、现状进行述评并深入反思,对于深化该课题研究具有重要意义。
[Abstract]:Under the view of chivalrous culture theory, the Chinese new literature writers and their works are viewed and interpreted in detail, so as to see through their true attitude towards traditional culture and the realistic transformation of chivalrous culture. Will effectively respond to those who misread the May fourth argument. However, for a long time, due to ideology, especially political or academic position, the subject has not been paid enough attention. With the upsurge of chivalry culture in mainland China in the 1990s, and the reflection of the May 4th New Culture Movement, it has always been regarded as a common point between the anti-traditional writers of new literature and the chivalrous culture which is not attached great importance to by the academic circles. New literature writers and chivalrous culture as an important subject has attracted people's attention, and there have been many research results. Among them, there are not only remarkable achievements, but also obvious shortcomings. It is of great significance to deepen the research on the new literature writer and chivalrous culture.
【作者单位】：山东师范大学文学院;
【分类号】：I206.6

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