清顺康时期的题画词研究

发布时间：2018-07-09 23:43

本文选题：清代 + 顺康时期　；参考：《河北大学》2017年硕士论文

【摘要】：在中国古代诗、书、画一体的文化环境中,题画文学应运而生。关于题画文学的研究也一直是文学研究的一个重要领域。其中对于题画诗的研究比较深入,而对于题画词的研究相对薄弱。本论文试图对清顺康时期题画词的创作概况及内容特色进行研究。绪论部分介绍选题背景、研究意义、清代题画词的研究现状以及题画词的含义和产生。第一章分为两节论述清顺康时期题画词的创作背景及主要的创作群体。其中,第一节概述顺康时期题画词创作的社会文化环境。包括清代绘画、词坛以及当时的社会风尚等因素对题画词创作产生的影响。第二节论述顺康时期代表性的创作群体,包括以“清初三大家”为代表的主流创作群体的题画词创作情况和这个时期大放异彩的女性创作群体。第二章介绍顺康时期题画词的题材内容。其中,按照题材的不同,可分为:题人物画词、题山水画词和题花鸟画词三大类,这种分法大致与中国古典绘画的分类相同。在此,本文把题填词图按照题材的不同另归为其他题画词类,与前三类并列为第四类。按功能的不同,可分为:唱和题画词、借画抒怀题词和酬赠题画词三类。而按照形式的不同可分为:单篇题画和题画组词两类。第三章对顺康时期的题画词进行艺术特色赏析,主要赏析其意境的营造、表现技法的运用和语言的特色。第四章分两节论述题画词的文体价值和顺康时期题画词创作对后世的影响。结语部分,基于以上对于清顺康时期题画词的论述,总结顺康时期题画词发展背景、创作概况、主体风貌和影响价值。
[Abstract]:In the cultural environment of Chinese ancient poetry, books and paintings, the title-painting literature came into being. The study of painting literature has also been an important field of literary research. Among them, the study of painting poems is more in-depth, but the study of painting words is relatively weak. This thesis attempts to study the creation and content characteristics of the title-painting ci in Qingshunkang period. The introduction part introduces the background and significance of the research, the present situation of the research of the title painting words in Qing Dynasty, and the meaning and origin of the title painting words. The first chapter is divided into two sections to discuss the creation background and main creative groups of the title and painting ci in Qingshunkang period. The first section summarizes the social and cultural environment of the creation of painting ci in Shunkang period. Including the Qing Dynasty painting, ci world and social customs and other factors on the creation of painting ci. The second section discusses the representative creative groups in Shunkang period, including the main creative group represented by "everyone in the third day of the Qing Dynasty" and the female creative group of this period. The second chapter introduces the theme of Shunkang period. According to the different subjects, it can be divided into three categories: figure painting words, landscape painting words and flowers and birds painting words, which is roughly the same as the classification of Chinese classical painting. In this paper, according to the different subject matter, the topic-filled map is classified as the other part of speech, and the first three categories are juxtaposed as the fourth category. According to the different functions, it can be divided into three categories: singing and painting words, expressing words by painting and giving pictures words. According to the different forms, it can be divided into two categories: single title painting and title painting group words. The third chapter analyzes the artistic characteristics of Shunkang painting ci, mainly the creation of artistic conception, the use of performance techniques and language characteristics. Chapter four discusses the stylistic value of painting ci and its influence on later generations in Shunkang period. The conclusion part, based on the above exposition of the Qing Shunkang period, summarizes the development background, creation overview, subject style and influence value of the Shunkang period.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23

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