literary characteristic 在 中国文学 分类中 的翻译结果

  本文关键词：从历史叙述的比较探究《蒙古秘史》的文学特征，由笔耕文化传播整理发布。

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literary characteristic

    The Literary Characteristic of the Scholar Song Poetry in the Han Dynasty

    汉代文人歌诗的文学特征

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    Comment on the Literary Characteristic of Taishigong's Words in Shi Ji

    《史记》“太史公曰”的文学特征刍议

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    Research of the Literary Characteristic of "The Secret History of the Mongols" at the Comparison of Historical Narration

    从历史叙述的比较探究《蒙古秘史》的文学特征

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    comprehending and appreciating the poetry in terms of the poetry and literary composition and literary characteristic;

    结合作者的生平阅历,细心透彻研读作品; 通观整个文学领域、文学体裁和文学特征,准确把握作品;

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    Reliability: Reliability is the first literary characteristic of diary-style fiction.

    真实性：真实性是日记体小说首要的文体特征。

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    As for this, "leisure" shares with "formal personality" in the literary characteristic of individual freedom and self-expression.

    在这一点上“闲适”融合了“性灵”文学张扬个性自由、表现自我的特色。

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    Russian literary essence permeated his subsequent novels creation at times, which mainly performed at below aspect: On the literature idea, he adhered to "the literature behaves to living" of crative concept, deepen his comprehension to the literary characteristic and function;

    俄国文学的精髓不时地渗透到他后来的小说创作中，主要表现在以下几个方面：在文学观念上，，他坚定了“文学为人生”的小说观，加深了对文学的特质、功能的理解；

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    It affects Chinese modern with contemporary literature research. Through analysis of the social knowledge type in China, Systematically discussing occurrence and development of China absurd literature. And study with absurd literature of China to the comparison of the west's absurd literature, confidence absurd literary characteristic in China.

    本文通过二十世纪西方荒诞理论和荒诞文学的梳理，它对中国现当代文学的影响研究，中国现当代社会知识型构的分析，系统论述中国荒诞文学的发生发展，并通过中国荒诞文学和西方荒诞文学的比较研究把握中国荒诞文学的特质。

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    Their deep brotherhood is not based on their similarities,but on their different temper,literary characteristic and life attitude and style. It is the difference that helps them have unique and irreplaceable achievement in real life and literary history.

    然而,这种深厚的情谊并不是以二人的种种相同特质为表现形式的,在他们性情气质、文学个性、生活态度与生活方式等方面,实际存在着最重要的异质异貌特征,恰是这些“和而不同”的独特风貌,使他们在现实生活与文学生涯中,取得了适合自身个性发展和他人无法取代的成就。

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This paper makes a comparative study of the literary characteristics and formal features of the aesthetic poetry of the Six Dynasties, with a pertinent assessment of the achievements and the status pf this genre in Chinese literature as a whole. It also puts forward the principles to be followed in the study of the aesthetic poetry of the Six Dynasties.

本文通过比较的方式,论述了六朝唯美诗歌的特质和表征,并且对六朝唯美诗歌的成就与地位作出新评价,同时也提出了六朝唯美诗歌研究应该遵循的原则。

Combined with relevant historical materials and specific works,this paper makes a new study of ancient Chinese novels about difficult and complicated cases written in classical Chinese which were seldom referred to by researchers.It considers novels about difficult and complicated cases written in classical language as a unique standard speech which is corresponding to novels about difficult and complicated cases written in the vernacular.In addition,on the basis of correctly defining their connotations and...

Combined with relevant historical materials and specific works,this paper makes a new study of ancient Chinese novels about difficult and complicated cases written in classical Chinese which were seldom referred to by researchers.It considers novels about difficult and complicated cases written in classical language as a unique standard speech which is corresponding to novels about difficult and complicated cases written in the vernacular.In addition,on the basis of correctly defining their connotations and denotations,this paper makes a summary and analysis of the evolution of novels about difficult and complicated cases written in classical Chinese in every historical period and their literary characteristics.

本文结合有关史料与具体作品 ,对研究者以往涉及较少的中国古代文言公案小说进行新的观照和审视 ,将文言公案小说视作一种与白话公案小说相对应的、独特的文人话语 ,在对其内涵和外延重新进行准确界定的基础上 ,对文言公案小说在各个历史时期的发展演变情况及其文学特性进行较为深入的概括和分析

The classification of writing styles of the Six Dynasties has, since its re-mentioning by Ruan Yuan, attracted the attention of and triggered controversies among many contemporary and modern scholars, and has not formed, even today, a unified recognition. It is in fact only a kind of categorization adopted then for the convenience of quoting, studying and appraising when literary composition was becoming increasingly sophisticated. Although it shows a recognition of the aesthetics, lyricism and entertaining...

The classification of writing styles of the Six Dynasties has, since its re-mentioning by Ruan Yuan, attracted the attention of and triggered controversies among many contemporary and modern scholars, and has not formed, even today, a unified recognition. It is in fact only a kind of categorization adopted then for the convenience of quoting, studying and appraising when literary composition was becoming increasingly sophisticated. Although it shows a recognition of the aesthetics, lyricism and entertaining qualities of literature, and a theoretical tendency of enhancing the recognition of literary characteristics, such a recognition is yet still only partial and does not involve the whole. It does not form a conscious differentiation between literature and non-literature, let alone the birth of the so-called pure literary concept of today. Therefore, the literary concept of the Six Dynasties is in essence still traditional.

六朝时期的文笔之分自阮元重提以来 ,引起了近现代许多学者的关注和争论 ,至今未能形成统一认识。六朝的文笔之分只是当时人们对日益纷繁的文章制作为便于称引、学习、品评而采用的一种分类方法 ,其中虽有对文学审美性、抒情性、娱乐性的体认 ,具有强化文学本质特性认识的理论倾向 ,但这种认识还只是局部的而非整体的 ,且并没有形成文学与非文学的自觉区分 ,更没有今人所谓的纯文学观念的产生。因此 ,六朝的文学观念在本质上仍是传统的。

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  本文关键词：从历史叙述的比较探究《蒙古秘史》的文学特征，由笔耕文化传播整理发布。