论先锋小说与晚生代小说命运书写之流变

发布时间：2018-08-06 21:51

【摘要】：1985年,以马原为领军人的先锋派的出现,通过打破人们熟悉的叙述方式、颠覆了读者既有的阅读习惯,在文坛引起一番热议。在先锋小说逐渐消退之后的90年代,晚生代作家异军突起,并继承了先锋作家形式探索的衣钵。尽管形式创新与命运书写形成了某种悖论,然而不论是先锋作家还是晚生代作家,他们在对传统的写作模式有所突破的同时,也在尽可能地描绘出当代人所面临的生存图景,展现人物的命运,并显现出某种精神态度。本论文以命运书写作为先锋小说研究的切入点,关注这些作品中展现出的主人公的生存境遇;挖掘出隐身于作品背后的作者对命运的思考和感悟探讨;寻找八十年代中期以来,个人自我意识的复苏情况下,先锋作家们格外关注命运浮沉的原因。并且通过将晚生代作家的小说创作与先锋经典作品对接,探寻不同时代背景下,两代作者在命运追问中得出的不同解答。本论文主要分为四个章节,分别是先锋小说中的命运书写;先锋小说命运书写的叙事艺术;先锋小说与晚生代小说的命运书写的异同;两者间异同的原因探析。第一章从生存、死亡、命运三个角度阐述先锋小说命运书写的呈现并分析原因;第二章以元小说的叙事策略、先锋小说中的偶然事件、叙述视角与叙述时间四个方面进一步分析先锋小说的形式探索在命运这一母题上起到的作用;第三章从命运书写的内容与形式两个方面分析晚生代小说;第四章总结全文,从整体上找到从先锋小说到晚生代小说命运书写中的异同。
[Abstract]:In 1985, the emergence of the avant-garde with Ma Yuan as the leading soldier, by breaking the familiar narrative style, subverted the readers' existing reading habits and aroused some heated discussion in the literary world. In the 90's after the vanguard novel receded, the late generation writers sprang up and inherited the vanguard writer's style exploration. Although the innovation of form and the writing of destiny have formed some paradox, both pioneer writers and late generation writers have made a breakthrough in the traditional writing mode, and at the same time, they are also depicting as far as possible the survival prospect that the contemporary people are facing. Show the fate of the characters, and show a spiritual attitude. This thesis regards the writing of fate as the breakthrough point of the study of pioneer novels, pays close attention to the living conditions of the protagonists in these works, excavates the author's thoughts and feelings about fate that are hidden behind the works, and looks for the life of the protagonists in these works since the mid-eighties. With the revival of personal self-consciousness, pioneer writers pay special attention to the reason of the fates. And through the late generation writer's novel creation and the pioneer classical work docking, explores under the different times background, two generation writers in the destiny question obtains the different solution. This thesis is divided into four chapters, namely, the fate writing in the pioneer novel; the narrative art of the fate writing in the pioneer novel; the similarities and differences of the fate writing between the pioneer novel and the late generation novel; and the cause of the similarities and differences between the two. The first chapter expounds the emergence and analysis reasons of the fates writing of the pioneer novels from the three angles of existence, death and fate, the second chapter discusses the narrative strategy of the metafiction, the accidental events in the vanguard novels. This paper further analyzes the role of the form exploration of the pioneer novel in the fate motif from four aspects: the narrative angle and the narrative time; the third chapter analyzes the late birth novels from the content and form of the fate writing; the fourth chapter summarizes the full text. On the whole, we find out the similarities and differences in the fate of the novels from the vanguard to the later generation.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.42

【相似文献】