补做遗剧:论现代梁祝杂剧
发布时间：2018-08-07 18:31
【摘要】：1920至1930年代,多位学者延续元代的风格创作杂剧。同时梁祝传说受到广泛讨论,因此此阶段出现两部反映这个爱情故事的杂剧,不会让我们感到意外。常任侠在1931年创作了第一部,而第二部由顾随于1936年完成。常任侠的剧作风格较为简洁,反之顾随的曲词则极为繁复。两位剧作家均出生于中国北方,他们对于此故事的改编,与更为著名的江南版本有所不同——祝英台的女扮男装在这两部作品中都是由于父母的坚持。不仅常任侠借鉴了河南籍学者冯沅君关于此传说的短文,顾随或许也受到这篇文章的影响,而他的作品还展现出一些西方因素。
[Abstract]:From 1920 to 1930's, many scholars continued the style of the Yuan Dynasty zaju. At the same time, the legend of Liang Zhu has been widely discussed, so we will not be surprised by the emergence of two dramas that reflect the love story at this stage. Chang wrote the first film in 1931 and the second by Gu in 1936. Chang Ren Xia's style of drama is more concise, on the contrary, Gu Sui's lyrics are extremely complicated. Both playwrights were born in northern China, and their adaptation of the story is different from the more famous version of Jiangnan, where Zhu Yingtai dressed as a man because of parents' insistence. Not only did Chang draw on a short essay by Henan scholar Feng Yuanjun about the legend, Gu may also be influenced by the article, and his works also show some Western factors.
【作者单位】： 中山大学中国语言文学系;
【分类号】：I207.3
本文编号：2170957
[Abstract]:From 1920 to 1930's, many scholars continued the style of the Yuan Dynasty zaju. At the same time, the legend of Liang Zhu has been widely discussed, so we will not be surprised by the emergence of two dramas that reflect the love story at this stage. Chang wrote the first film in 1931 and the second by Gu in 1936. Chang Ren Xia's style of drama is more concise, on the contrary, Gu Sui's lyrics are extremely complicated. Both playwrights were born in northern China, and their adaptation of the story is different from the more famous version of Jiangnan, where Zhu Yingtai dressed as a man because of parents' insistence. Not only did Chang draw on a short essay by Henan scholar Feng Yuanjun about the legend, Gu may also be influenced by the article, and his works also show some Western factors.
【作者单位】： 中山大学中国语言文学系;
【分类号】：I207.3
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