歌禾赋麦与题柳看花——阅读吴梅村《圆圆曲》的几个视角

发布时间：2018-08-08 12:04

【摘要】：明清鼎革,吴梅村历经甲申(1644)之恸,崇祯自缢,李自成陷京,清军入关,亡国的惊惧、屈辱与痛楚,乃于八年后写下《圆圆曲》,以犹具"时事"性的陈圆圆为主角所绘制的时代容颜,引发后续许多有关陈圆圆的创作与讨论。本文分为"如何记忆一个令人同情的亡国君王"、"P存者的余悸:世变沧桑中的儿女故事"、"《圆圆曲》的身世记忆:首发其端而成千古绝唱"三部分,尝试从草野齐民、为女性作传、诗性叙事、身世记忆、"歌禾赋麦"与"题柳看花"等阅读视角,探讨吴梅村在创作上合抒情、叙事与表演而为一,以游走在"时事"和"故事"之间的诗歌叙述,带着同情的了解与哀怜,采取戏剧性的手法与抒情声音,藉由重新审视历史上的兴亡故事,牵动着同处沧桑巨变的劫后幸存者,乃能在个人名节、国家兴亡与文化存毁之外,关注到更为广大而无辜的"天下苍生",以一代兴亡入诗史的"梅村体",为时代留下最真切的见证,自非比兴寄托的抒情传统所能拘限。
[Abstract]:During the Ming and Qing dynasties, Wu Mei-cun went through the mourning of Jia Shen (1644), Chongzhen hanged himself, Li Zicheng fell into Beijing, the Qing army entered the customs, the fear, humiliation and pain of subjugation. It was written in eight years later, still "current affairs" Chen Yuanyuan as the protagonist painted the face of the times, triggered a lot of subsequent works and discussions about Chen Yuanyuan. This article is divided into three parts: "how to remember a sympathetic king of the dead", "the remaining palpitations of P": the story of children in the vicissitudes of the world "," the World memory of Yuanyuanqu: the beginning of its end and becoming a Thousand Ages ", in order to try to make a biography for women from the grasslands to the people." From the perspective of poetic narration, historical memory, Gaohe Fu Mai and Liu Huahua, this paper probes into Wu Mei-cun 's poetic narration between "current affairs" and "story", which combines lyricism, narration and performance in his creation. With sympathetic understanding and pity, with dramatic techniques and lyrical voices, and by re-examining the stories of rise and fall in history, and affecting the survivors of the same vicissitudes of life, they are able to go beyond the personal name Festival, the rise and fall of the country, and the preservation and destruction of culture. To pay attention to the broader and more innocent "life of the world", to the generation of rise and fall into the history of poetry, "Mei Village", leaving the most genuine witness for the times, from the lyrical tradition of relying on the limit.
【作者单位】：台湾逢甲大学中国文学系;
【分类号】：I207.22

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