“抒情的文学”与“叙事的文学”——王国维文学类型二分法之探究
发布时间:2018-08-08 17:12
【摘要】:在中国文学的观念和理论体系由传统向现代转化的进程中,就文学类型的划分而言,王国维将文学分为"抒情的文学"和"叙事的文学"两大类型,这与西方盛行的三分法明显不同。王国维的二分法既表现出清末文学思想激变中的某些共性特征,更体现出所受以叔本华为代表的西方文学、美学观念的深刻影响,但其中仍包含着独特的个人的体悟和创见。虽然在其二分法中有着一定的源于时代和个人的认识偏颇和局限,但王国维随后即进行了反省和纠偏。王国维的文学类型二分法的理论价值尚未得到充分认识,其所经历的心路历程至今仍具有启示意义。
[Abstract]:In the process of transforming the concept and theoretical system of Chinese literature from tradition to modern, Wang Guowei divides literature into two types: "lyrical literature" and "narrative literature". This is obviously different from the three-point rule prevailing in the West. Wang Guowei's dichotomy not only shows some common features in the radical change of literary thought in the late Qing Dynasty, but also reflects the profound influence of the western literature and aesthetic concept represented by Schopenhauer, but still contains the unique personal understanding and creativity. Although there are some biases and limitations in his dichotomy originated from the times and individuals, Wang Guowei then reflects and corrects them. The theoretical value of Wang Guowei's literary type dichotomy has not been fully recognized, and its psychological course still has enlightening significance.
【作者单位】: 北京语言大学人文学院;
【基金】:北京语言大学中青年学术骨干支持计划
【分类号】:I206.5
本文编号:2172462
[Abstract]:In the process of transforming the concept and theoretical system of Chinese literature from tradition to modern, Wang Guowei divides literature into two types: "lyrical literature" and "narrative literature". This is obviously different from the three-point rule prevailing in the West. Wang Guowei's dichotomy not only shows some common features in the radical change of literary thought in the late Qing Dynasty, but also reflects the profound influence of the western literature and aesthetic concept represented by Schopenhauer, but still contains the unique personal understanding and creativity. Although there are some biases and limitations in his dichotomy originated from the times and individuals, Wang Guowei then reflects and corrects them. The theoretical value of Wang Guowei's literary type dichotomy has not been fully recognized, and its psychological course still has enlightening significance.
【作者单位】: 北京语言大学人文学院;
【基金】:北京语言大学中青年学术骨干支持计划
【分类号】:I206.5
【相似文献】
相关期刊论文 前10条
1 ;文化空间与文学类型[J];当代作家评论;1999年06期
2 吴凡;;新媒体时代文学类型化的再审视[J];小说评论;2012年02期
3 王凤霞;;网络文学类型初探[J];山东文学;2009年S2期
4 谭旭东;;文学类型化探析[J];中州大学学报;2007年01期
5 张晶;谭旭东;;电子文化语境与文学类型化趋势[J];江西社会科学;2009年02期
6 陆山花;;网络文学类型化研究[J];阜阳师范学院学报(社会科学版);2011年06期
7 张露;;网络文学类型化写作之殇[J];创作与评论;2012年06期
8 何志钧;;网络文学类型化写作管窥[J];学习与探索;2010年02期
9 陈敏;;浅析新时期中国体育文学类型及作用[J];作家;2013年18期
10 孙光;楚辞文学类型的原始宗教背景[J];河北大学学报(哲学社会科学版);2005年02期
相关重要报纸文章 前2条
1 谭旭东;文学类型化:必然还是陷阱[N];学习时报;2006年
2 著名评论家 贺绍俊;类型小说的反类型化写作[N];深圳特区报;2010年
相关博士学位论文 前1条
1 徐龙飞;晚明清初才子佳人文学类型研究[D];北京师范大学;2008年
,本文编号:2172462
本文链接:https://www.wllwen.com/gudaiwenxuelunwen/2172462.html