隐喻的生成:从小说到电影——《药》隐喻生成方式探析
发布时间：2018-08-23 21:18
【摘要】：正《药》是鲁迅先生于1919年发表的短篇小说。1981年以小说《药》为母本改编的同名电影,继承了原作文本语言的结构形式和创作主体的艺术品位,以及作者的思想意蕴,以谨慎稳妥的方式完成了从文字到影像的转换,有效地促进了鲁迅先生文艺精神的传播,并扩展了其作品的文学性的表现视域。不论是小说还是电影,《药》都以其独特的隐喻方式传达了创作者的精神内涵;但由于其表现介质不同,其隐喻手法的生成方式与表达效果也呈现出带有各自艺术表现特点的差
[Abstract]:Zheng < Yao > is a short story published by Mr. Lu Xun in 1919. In 1981, the film of the same name, which was adapted from the novel < Yao > as its mother, inherited the structure of the original text language, the artistic taste of the creative subject, and the author's ideological connotation. It completed the transformation from writing to image in a prudent and steady way, effectively promoting Mr. Lu Xun. The spread of literary and artistic spirit has broadened the scope of literary expression of his works. Both fiction and film have conveyed the author's spiritual connotation through their unique metaphorical means. However, due to the different medium of expression, the way in which metaphor is produced and the effect in which it is expressed is also poor with their own artistic characteristics.
【作者单位】： 东北师范大学文学院;长春工业大学信息传播工程学院;
【基金】：中央高校基本科研业务费专项资金资助“史诗性的重构——新世纪长篇小说的历史叙事与文体形式”(项目编号:16QT005) 东北师范大学15骨干团队项目(项目编号:130021585)的阶段性研究成果
【分类号】：I210.6
本文编号：2199946
[Abstract]:Zheng < Yao > is a short story published by Mr. Lu Xun in 1919. In 1981, the film of the same name, which was adapted from the novel < Yao > as its mother, inherited the structure of the original text language, the artistic taste of the creative subject, and the author's ideological connotation. It completed the transformation from writing to image in a prudent and steady way, effectively promoting Mr. Lu Xun. The spread of literary and artistic spirit has broadened the scope of literary expression of his works. Both fiction and film have conveyed the author's spiritual connotation through their unique metaphorical means. However, due to the different medium of expression, the way in which metaphor is produced and the effect in which it is expressed is also poor with their own artistic characteristics.
【作者单位】： 东北师范大学文学院;长春工业大学信息传播工程学院;
【基金】：中央高校基本科研业务费专项资金资助“史诗性的重构——新世纪长篇小说的历史叙事与文体形式”(项目编号:16QT005) 东北师范大学15骨干团队项目(项目编号:130021585)的阶段性研究成果
【分类号】：I210.6
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