回望1917:试论作为思想的中国文论

发布时间：2018-08-28 18:52

【摘要】：1917年是中国现代文论起始之年。回望1917的初衷是反思一个时代的文论生成机制。1917年的以美国、俄罗斯、中国为代表的全球文论,主要是变革时代的思想文论,有着鲜明的思想倾向性与范式转换意义,并反作用于学科文论。思想文论源于特定时代的文化机制,体现了文化总体性与历史必然性。胡适《文学改良刍议》、陈独秀《文学革命论》、蔡元培《以美育代宗教说》代表了中国文论现代性的三个相互交织的方向,即反对僵化的旧形式的新形式价值论、反对各种精神与物质压迫的社会价值论、反对宗教性功利性束缚的审美价值论,对现代中国文论产生了重要影响。1917年三篇文章的出现是建立在中国文论的思想生成性与文化生成性基础之上,并非纯粹性的知识生产。正是在思想与文化的生成机制中,1917年的文论才具有把握时代、承前启后、融汇中西的范式转型意义,对今天的中国文论亦有积极的启发意义。
[Abstract]:1917 was the beginning of modern Chinese literary theory. The original intention of looking back at 1917 is to reflect on the generation mechanism of literary theory in an era. The global literary theory represented by the United States, Russia and China in 1917, mainly the ideological literary theory of the times of change, has a distinct ideological tendency and a significance of paradigm shift. And reaction to the subject of literary theory. Ideological literary theory originates from the cultural mechanism of a specific era and embodies the cultural totality and historical inevitability. Hu Shi "on Literary improvement", Chen Duxiu "Literary Revolution" and Cai Yuanpei "substituting Aesthetic Education for Religion" represent the three intertwined directions of modernity of Chinese literary theory, that is, opposing the rigid old form of new form axiology. Opposing all kinds of spiritual and material oppression of social value theory, opposing religious utilitarian restraint of aesthetic value theory, The emergence of three articles in 1917 is based on the ideological and cultural generative basis of Chinese literary theory, and is not pure knowledge production. It is in the formation mechanism of thought and culture that the literary theory of 1917 has the significance of grasping the times, connecting the past with the future, and blending the Chinese and Western paradigms, which also has a positive enlightening significance for the Chinese literary theory today.
【作者单位】：北京大学中文系;
【分类号】：G0

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