新历史主义视域下的中国女性新历史小说

发布时间：2018-11-12 17:44

【摘要】：20世纪80年代末,“新历史主义”理论传入中国,在同中国当时语境的激荡中,发生了嬗变。在“新历史主义”理论和国内文化思潮的双重影响下,中国文坛产生了一种新的小说类型:新历史小说。其中,女性新历史小说显示出不同于男性新历史小说的审美特征和历史观念。这类作品中潜藏着独特的“小历史”意识和“女性佚文史”,反映了当代中国女性作家的群体性精神诉求和深层文化心理,值得关注和研究。论文分为三个部分:第一部分介绍新历史主义理论在国内外的发展状况和理论特征。论文以格林布拉特的“自我塑型”观和海登·怀特的“元历史”理论为例,介绍国外新历史主义理论的发展,进而总结国外理论的强烈颠覆性和斗争性等特征。在对国内理论译介状况进行梳理之后,论文分析国内新历史主义的重艺术创作指导,轻理论总结等本土化特点。同时,论文简述了中国女性新历史小说的产生和发展的基本轨迹。我们从概念界定、研究现状、发展阶段和题材分类等四个方面对中国女性新历史小说进行整体透析。第二部分是核心内容。中国女性新历史小说主要表现为以下美学特征:“小历史”意识和解构叙述对“大历史”意识的颠覆;互文性“女性佚文史”的呈现;日益走向中心和本位的女性意识;对隐喻、反讽、交叉文化蒙太奇等小说艺术手法的探索。第三部分论析中国女性新历史小说的意义和发展困境。一方面,中国女性新历史小说,改变了中国历史小说创作中的“实录”传统,恢复了小说的主体地位。并且,女性新历史小说的创作拓宽了文学创作的发展空间。另一方面,因为外部环境的影响和自身理论不足,女性新历史小说创作呈现出历史虚无主义的倾向。小说创作数量下滑,女性地位迷失,使女性新历史小说陷入发展困境。论文最后初步探索女性新历史小说走出困境的方法:重新审视男女关系,挖掘新的创作资源等。
[Abstract]:At the end of 1980's, the theory of "new historicism" was introduced into China. Under the influence of the theory of "New historicism" and the domestic cultural trend of thought, a new type of novel has emerged in Chinese literary circle: new historical novel. Among them, female new historical novels show different aesthetic features and historical concepts from male new historical novels. The unique consciousness of "small history" and the "history of female lost writings" lurked in this kind of works, which reflects the collective spiritual demands and deep cultural psychology of contemporary Chinese female writers, and is worthy of attention and study. The thesis is divided into three parts: the first part introduces the development and characteristics of the new historicism theory at home and abroad. This paper takes Greenblatt's view of self-molding and Hayden White's theory of meta-history as an example to introduce the development of foreign new historicism theory and to sum up the characteristics of foreign theories such as strong subversion and fighting. After combing the situation of domestic theoretical translation, this paper analyzes the localization characteristics of the new historicism in China. At the same time, the paper briefly describes the emergence and development of Chinese women's new historical novel. We analyze Chinese women's new historical novels from four aspects: concept definition, research status, development stage and theme classification. The second part is the core content. The new historical novels of Chinese women are characterized by the following aesthetic features: subversion of the consciousness of "small history" and deconstruction of the consciousness of "big history", presentation of intertextuality "history of women's lost writings", increasing trend towards center and standard of female consciousness; The exploration of metaphor, irony, cross-cultural montage and other novel art techniques. The third part discusses the significance and development dilemma of Chinese women's new historical novels. On the one hand, the new historical novels of Chinese women have changed the tradition of "record" in the creation of Chinese historical novels and restored the main position of novels. Moreover, the creation of female new historical novels broadens the development space of literary creation. On the other hand, because of the influence of external environment and insufficient theory, female new historical novel creation shows a tendency of historical nihilism. The decline in the number of novel creation and the loss of women's status make women's new historical novels fall into a dilemma of development. At the end of the paper, the author explores the methods of women's new historical novels to get out of difficulties: to re-examine the relationship between men and women, to tap new creative resources and so on.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.42

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