周朝
发布时间：2019-01-17 17:47
【摘要】：明代传奇作家周朝俊,是万历时期重要的戏曲作家。《红梅记》是其仅存的代表作,也是我国戏曲史上的优秀作品,成为历代戏曲舞台上不断上演的经典剧目。历代文人、学者从不同方面对周朝俊《红梅记》做研究,但是在传播方面,还没有系统、全面的研究。本文从“传播”的角度,从文本、演出、评点、图像、近现代传播等方面入手,结合中国戏曲发展的历史大背景,对《红梅记》自成书至今的传播情况作了较为详细的分析和梳理。本文以周朝俊《红梅记》为研究对象,分为五章,力图多侧面、多角度,综合、全面地对《红梅记》传播情况进行论述,并在此基础上,对中国古代戏曲的传播规律作总结和归纳。第二章对《红梅记》的文本传播情况以及特点进行梳理。现存的全本有五种,分别是《玉茗堂批评红梅记》《新刊出相点板红梅记》《新刻袁中郎先生批评红梅记》、明万历师俭堂刻本《丹桂记》、明万历宝珠堂刻本《丹桂记》。其中,宝珠堂本与师俭堂本极其相似,如出一手。据张秀民《明代印书最多的建宁书坊》一文可知,建阳别称“潭阳”。据《宋代“建本”地名考释》一文可知,“富沙”即建阳别称。由此可见“富沙儆韦萧鸣盛校阅”或“潭阳萧儆韦鸣盛校阅”均为“建阳萧鸣盛校阅”。而建阳师俭堂堂主萧腾鸿之叔即萧鸣盛,可见师俭堂与宝珠堂有关系应该是无疑的。此外,较为特殊的是现存全本《玉茗堂批评红梅记》,将其单列一节,分别从人物形象、关目结构、曲白科诨三个方面对进行梳理、分析。第五章从报刊、电影、电视、网络四个角度进行分析。报刊传播也是《红梅记》传播的重要手段,其中《申报》中有涉及《红梅记》演出的记载。本章在电影方面,分析和总结了由《红梅记》改编的两部电影,分别是1981年刘琼导演、胡芝风主演的戏曲电影《李慧娘》和2012年黎妙雪导演、舒淇、余文乐等主演的电影《情谜》。通过对电影剧情、镜头、舞台背景、空间处理、音乐、叙事结构等方面的分析,总结出这两部戏曲电影的鲜明特点。电视方面,主要对由《红梅记》改编的电视剧《天师钟馗之红梅阁》进行分析,从叙事手法、人物设置、戏剧冲突等方面分析,其与原剧本相比,变化较多,但是中心思想并未改变。
[Abstract]:Zhou Chaojun, a legendary writer of Ming Dynasty, is an important opera writer in Wanli period. Hongmei Ji is his only representative work and an excellent work in the history of Chinese opera. Scholars and scholars from different aspects of Zhou Chaojun Hongmei Ji did research, but in the field of communication, there is no systematic, comprehensive research. From the angle of "communication", from the aspects of text, performance, comment, image, modern communication and so on, this paper combines the historical background of the development of Chinese opera. This paper makes a detailed analysis and combing of the spread of the Red Plum Book. This article takes Zhou Chaojun's the Red Plum Chronicles as the research object, divides into five chapters, tries hard to many sides, the many angles, synthetically, comprehensively carries on the elaboration to the red plum book dissemination situation, and on this basis, Summarize and summarize the spreading law of ancient Chinese opera. The second chapter combs the text dissemination and characteristics of Red Plum Chronicles. There are five kinds of the extant edition: Yuming Tang criticizes Red Plum Chronicles; A New print of Red Plum Chronicles; A New inscription of Mr. Yuan Zhonglong's criticism of Red Plum; a Ming Wanli Dianshitang inscription of Dan Gui Ji; and Ming Wanli Baozhtang inscription on Dangui Chronicles. Among them, Baozhu Tang and teacher thrift this very similar, such as a hand. According to Zhang Xiumin, Jianning Book Workshop, which printed most books in Ming Dynasty, Jianyang is also called Tan Yang. According to the Song Dynasty, "Jian Ben" geographical names textual research "one article," Fusha "is another name of Jianyang. It can be seen that "rich sand watch Wei Xiaoming's reading" or "Tan Yang Xiao watch Wei Mingsheng's reading" are "Jianyang Xiao Mingsheng's school reading". And Jianyang teacher Hsiao Ming-sheng, the uncle of Hsiao Teng-hung, can see that the relationship between Shijian Hall and Baozhu Hall should be doubtless. In addition, the more special is the extant "Yuming Tang criticism of the Red Plum", a separate section, respectively from the character image, the structure of the subject, qu Baike gag three aspects of combing, analysis. The fifth chapter analyzes from four angles of newspaper, film, television and network. Newspaper communication is also an important means of dissemination of the Red Plum Chronicles, in which there are records of the performance of the Red Plum Chronicles. In this chapter, the author analyzes and summarizes two films adapted from Red Plum Chronicles, which are directed by Liu Qiong in 1981, the drama film "Li Hui-Niang" starring Hu Zhifeng, and the film directed by Li Miaoxue and Shu Qi in 2012. Yu Wenle, et al. Through the analysis of film plot, lens, stage background, space processing, music, narrative structure and so on, this paper summarizes the distinct characteristics of these two drama films. On television, the TV series "Red Plum Chronicles" is mainly analyzed from the aspects of narrative techniques, character settings, dramatic conflicts, and so on. Compared with the original script, it has changed a lot. But the central idea has not changed.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.37
本文编号：2410220
[Abstract]:Zhou Chaojun, a legendary writer of Ming Dynasty, is an important opera writer in Wanli period. Hongmei Ji is his only representative work and an excellent work in the history of Chinese opera. Scholars and scholars from different aspects of Zhou Chaojun Hongmei Ji did research, but in the field of communication, there is no systematic, comprehensive research. From the angle of "communication", from the aspects of text, performance, comment, image, modern communication and so on, this paper combines the historical background of the development of Chinese opera. This paper makes a detailed analysis and combing of the spread of the Red Plum Book. This article takes Zhou Chaojun's the Red Plum Chronicles as the research object, divides into five chapters, tries hard to many sides, the many angles, synthetically, comprehensively carries on the elaboration to the red plum book dissemination situation, and on this basis, Summarize and summarize the spreading law of ancient Chinese opera. The second chapter combs the text dissemination and characteristics of Red Plum Chronicles. There are five kinds of the extant edition: Yuming Tang criticizes Red Plum Chronicles; A New print of Red Plum Chronicles; A New inscription of Mr. Yuan Zhonglong's criticism of Red Plum; a Ming Wanli Dianshitang inscription of Dan Gui Ji; and Ming Wanli Baozhtang inscription on Dangui Chronicles. Among them, Baozhu Tang and teacher thrift this very similar, such as a hand. According to Zhang Xiumin, Jianning Book Workshop, which printed most books in Ming Dynasty, Jianyang is also called Tan Yang. According to the Song Dynasty, "Jian Ben" geographical names textual research "one article," Fusha "is another name of Jianyang. It can be seen that "rich sand watch Wei Xiaoming's reading" or "Tan Yang Xiao watch Wei Mingsheng's reading" are "Jianyang Xiao Mingsheng's school reading". And Jianyang teacher Hsiao Ming-sheng, the uncle of Hsiao Teng-hung, can see that the relationship between Shijian Hall and Baozhu Hall should be doubtless. In addition, the more special is the extant "Yuming Tang criticism of the Red Plum", a separate section, respectively from the character image, the structure of the subject, qu Baike gag three aspects of combing, analysis. The fifth chapter analyzes from four angles of newspaper, film, television and network. Newspaper communication is also an important means of dissemination of the Red Plum Chronicles, in which there are records of the performance of the Red Plum Chronicles. In this chapter, the author analyzes and summarizes two films adapted from Red Plum Chronicles, which are directed by Liu Qiong in 1981, the drama film "Li Hui-Niang" starring Hu Zhifeng, and the film directed by Li Miaoxue and Shu Qi in 2012. Yu Wenle, et al. Through the analysis of film plot, lens, stage background, space processing, music, narrative structure and so on, this paper summarizes the distinct characteristics of these two drama films. On television, the TV series "Red Plum Chronicles" is mainly analyzed from the aspects of narrative techniques, character settings, dramatic conflicts, and so on. Compared with the original script, it has changed a lot. But the central idea has not changed.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.37
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