杨炯的学术传习及诗学观念的形成

发布时间：2019-01-25 10:08

【摘要】：杨炯诗学观念的形成及其诗文革新理念的提出,可从其家学传承、学馆苦读、师友交接的经历中找到线索。杨炯的文学观念受到家传礼学以及求学秘书省时形成的天道观的陶染,由践行礼制、观察天象引申为创作过程中对"律"的重视。杨炯对声律文辞的讲究及其雅正、中和的审美理想,皆贯穿着他对秩序的体认与追求。与薛元超、崔融等人的师友交接更使其确认声律在诗歌中的作用。对杨炯而言,天道之律、音乐之律以及文辞之律三者互为表里。杨炯所受的文学教育既体现革新的要求,又反映出齐梁余绪的影响,这使得杨炯的诗学观念不仅符合宫廷审美的需要,还为盛唐诗歌艺术的发展指出了变革的方向。
[Abstract]:The formation of Yang Jiong's concept of poetics and the idea of poetic innovation can be found in his experience of family inheritance, hard study and transfer of teachers and friends. Yang Jiong's literary concept was influenced by the Taoist Taoism, which was formed by the family ritual study and the time saving for the secretary of study, from practicing the ritual system and observing the celestial phenomena to the emphasis on the "law" in the process of creation. Yang Jiong's aesthetic ideals of elegance and neutralization run through his understanding and pursuit of order. The transfer of teachers and friends with Xue Yuanchao, Cui Rong, etc. To Yang Jiong, the law of the Tao of Heaven, the law of music and the law of speech are among each other. The literature education received by Yang Jiong not only reflects the requirements of innovation but also reflects the influence of Qi and Liang Yuxu, which makes Yang Jiong's poetic concept not only meet the needs of court aesthetics, but also point out the direction of reform for the development of poetry and art in the prosperous Tang Dynasty.
【作者单位】：北京大学中文系;
【分类号】：I207.22

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