吴震生及其戏曲研究
发布时间：2019-04-24 06:59
【摘要】：本论文以生活在清代康雍乾盛世时期较为重要的戏曲家吴震生(1695-1769)为研究对象,在前人研究的基础上,详细梳理其家世、生平、交游等历史情况。梳理了吴震生诗词等文学创作活动,为进一步研究其戏曲创作活动提供支持。重点对吴震生的戏曲集《太平乐府玉勾十三种》作了较为系统的研究,探讨了吴氏以史传为蓝本,以作文之法创作戏曲的创作方法,以及吴氏戏曲作品中流露出的“征实尚实”的创作倾向。本论文共分为三章,第一章对吴震生家世、生平、交游和著述四个方面进行考证。首先通过对三个同名吴震生的辨析,纠正前人在引用材料时的错误,便于后人在进一步的研究中注意区分。戏曲家吴震生出生于书香世家,其祖父和父亲都饱读诗书,所以吴震生有着良好的家庭教育。本论文对吴震生家世进行梳理,蠡测吴氏在诗词曲创作方面的家学传统。吴震生五次科举不第,其所交游对象大都为下层文人,此外吴氏还有大量的社题之作,也显示了他交游唱和之广泛。第二章,研究吴震生戏曲理论。通过对《笠阁批评旧戏目》、《太平乐府·演习凡例》理论的研究、以及《笠阁丛书》中有关乐府和戏曲的渊源关系等的探讨,以求充分揭示吴震生的戏曲创作及演出理论。吴震生从演出实践和剧本创作出发,提出了很多有创见的见解,是吴氏对曲学的贡献。吴氏在《演习凡例》中针对舞台演出创立了“十三本”规范,但吴震生并未站在理论的高度对一些具体的建议进行高屋建瓴的阐释,故而在戏曲演出论方面并未产生很大的影响。第三章是对吴震生戏曲集《太平乐府玉勾十三种》的研究,考查了戏曲集的版本及创作时间,并对其戏曲集进行了深入研究,探讨了吴震生戏曲作品的本事、主旨、以及艺术特色包括曲体特征等剧作因素。《太平乐府玉勾十三种》中对华夷关系的另类展现,体现了作者对满清异族统治的思考,并对当时社会进行了无情的鞭挞。吴震生以对“情欲”等世俗之情的提倡为发力点,从而展开了对传统礼教的批判。
[Abstract]:This thesis takes Wu Zhensheng (1695 and 1769), an important opera writer, who lived in the prosperous period of Kangyong-Qian in Qing Dynasty as the research object. On the basis of previous studies, this thesis combs his family history, life story, acquaintance and other historical situation in detail. This paper combs Wu Zhensheng's literary creation activities, such as poems and poems, and provides support for the further study of his opera creation activities. This paper focuses on the systematic study of Wu Zhensheng's opera collection "13 kinds of Yukuo in Taiping", and probes into the creative methods of Wu's creation of operas based on historical biographies and with the method of composition. As well as Wu's opera works reveal the "realistic and realistic" creative tendency. This paper is divided into three chapters, the first chapter of Wu Zhensheng family, life, acquaintance and writing four aspects of textual research. First of all, by discriminating three Wu Zhensheng of the same name, we can correct the mistakes of the predecessors when quoting the materials, so as to facilitate the future generations to pay attention to the distinction in the further study. Opera writer Wu Zhensheng was born in Shuxiang family, his grandfather and father read poetry books, so Wu Zhensheng has a good family education. This paper combs the family history of Wu Zhensheng, and studies Wu's family tradition in poetry and song creation. Wu Zhensheng did not take the imperial examination for five times. Most of his friends were low-level literati. In addition, Wu had a large number of editorials, which also showed that he had a wide range of ballads and songs. The second chapter studies Wu Zhensheng's drama theory. In order to fully reveal Wu Zhensheng's theory of opera creation and performance, this paper studies the theory of "criticism of old operas" and "ordinary examples of Taiping Yuefu exercises", as well as the relationship between Yuefu and opera in the series of books of Lange, etc. It is hoped that Wu Zhensheng's theory of opera creation and performance can be fully revealed. Wu Zhensheng from the performance practice and script creation, put forward a lot of creative views, is Wu's contribution to music. Wu's "13 books" norms for stage performances were created in the exercise example, but Wu Zhensheng did not put forward a high-level explanation of some specific proposals from a theoretical point of view. Therefore, the theory of opera performance has not had a great impact. The third chapter is a study of Wu Zhensheng's opera collection "13 kinds of Yukuo in Taiping", which examines the edition and creation time of the opera collection, and makes a thorough study of his opera collection, and probes into the ability and purport of Wu Zhensheng's opera works. And the artistic features include the characteristics of music and other factors. The alternative display of the Huayi relationship in the 13 kinds of Yukuo in Taiping reflects the author's thoughts on the rule of the Manchu ethnic group and the merciless flogging of the society at that time. Wu Zhen-sheng launched his criticism of traditional etiquette by advocating such worldly feelings as lust.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.37
本文编号：2464218
[Abstract]:This thesis takes Wu Zhensheng (1695 and 1769), an important opera writer, who lived in the prosperous period of Kangyong-Qian in Qing Dynasty as the research object. On the basis of previous studies, this thesis combs his family history, life story, acquaintance and other historical situation in detail. This paper combs Wu Zhensheng's literary creation activities, such as poems and poems, and provides support for the further study of his opera creation activities. This paper focuses on the systematic study of Wu Zhensheng's opera collection "13 kinds of Yukuo in Taiping", and probes into the creative methods of Wu's creation of operas based on historical biographies and with the method of composition. As well as Wu's opera works reveal the "realistic and realistic" creative tendency. This paper is divided into three chapters, the first chapter of Wu Zhensheng family, life, acquaintance and writing four aspects of textual research. First of all, by discriminating three Wu Zhensheng of the same name, we can correct the mistakes of the predecessors when quoting the materials, so as to facilitate the future generations to pay attention to the distinction in the further study. Opera writer Wu Zhensheng was born in Shuxiang family, his grandfather and father read poetry books, so Wu Zhensheng has a good family education. This paper combs the family history of Wu Zhensheng, and studies Wu's family tradition in poetry and song creation. Wu Zhensheng did not take the imperial examination for five times. Most of his friends were low-level literati. In addition, Wu had a large number of editorials, which also showed that he had a wide range of ballads and songs. The second chapter studies Wu Zhensheng's drama theory. In order to fully reveal Wu Zhensheng's theory of opera creation and performance, this paper studies the theory of "criticism of old operas" and "ordinary examples of Taiping Yuefu exercises", as well as the relationship between Yuefu and opera in the series of books of Lange, etc. It is hoped that Wu Zhensheng's theory of opera creation and performance can be fully revealed. Wu Zhensheng from the performance practice and script creation, put forward a lot of creative views, is Wu's contribution to music. Wu's "13 books" norms for stage performances were created in the exercise example, but Wu Zhensheng did not put forward a high-level explanation of some specific proposals from a theoretical point of view. Therefore, the theory of opera performance has not had a great impact. The third chapter is a study of Wu Zhensheng's opera collection "13 kinds of Yukuo in Taiping", which examines the edition and creation time of the opera collection, and makes a thorough study of his opera collection, and probes into the ability and purport of Wu Zhensheng's opera works. And the artistic features include the characteristics of music and other factors. The alternative display of the Huayi relationship in the 13 kinds of Yukuo in Taiping reflects the author's thoughts on the rule of the Manchu ethnic group and the merciless flogging of the society at that time. Wu Zhen-sheng launched his criticism of traditional etiquette by advocating such worldly feelings as lust.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.37
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