中西传统室内空间织物陈设比较研究

发布时间：2018-06-05 15:44

本文选题：中西方 + 传统　；参考：《吉林建筑大学》2017年硕士论文

【摘要】：室内空间是人类赖以生存的生活空间,织物陈设作为室内陈设的重要组成部分,它与人们的日常生活接触最为频繁,在室内空间环境中扮演着重要的角色,影响着人们生活的舒适度和情感诉求,同时织物陈设也体现了室内空间环境的风格。纵观当下,随着人们生活水平的提升,人们对于室内空间设计的要求越来越高,尤其是室内空间织物装饰深受人们的喜爱和追捧。近年关于织物装饰与室内空间环境的关系以及作用的研究也不断增多,但是对于中西传统室内空间织物陈设的对比研究不够详细和全面。面对设计的多元化发展,中西方设计交流的频繁,必须深入了解中西方传统文化与历史,互相借鉴和融合才能更好地发展中西方室内设计。为此本文将通过探讨中西传统不同时期的室内空间织物陈设的异同,并研究织物陈设与室内空间环境的关系,借此总结中西传统织物陈设设计共同点,为现代室内空间织物陈设设计的发展提供可以参考的理论依据。因此,研究本课题具有一定的理论和现实意义。本文采用同一时期中西不同地域文化下室内空间织物陈设的横向对比研究方法,分别了解中西方在传统代表时期内室内织物陈设的发展状况。探讨在各自文化背景下室内空间织物陈设的特点,通过中西之间比较,探寻中西方室内空间织物陈设的文化内涵和可借鉴设计特点。文章分为四部分。在绪论部分对相关概念、范围进行界定,明确重点研究对象,定位在中国明清时期和西方法国巴洛克、洛可可时期的宫廷室内空间织物陈设,并阐述了中西传统室内空间织物陈设研究的现状和存在的问题,以及由此展开的研究过程。第二章回顾中西传统各个代表时期室内空间织物陈设历史沿革,借此厘清织物陈设的发展。第三章重点分析中西传统室内空间织物陈设特征异同,着重分析中国故宫和法国凡尔赛宫的室内空间织物陈设,分析在不同文化背景下,织物陈设在材质、图案等方面呈现的不同形态。第四章探讨中西传统织物陈设对现代住宅织物陈设设计的影响以及对中国未来织物陈设设计的展望。通过对中西室内空间织物陈设的对比研究,用批判的眼光来看待中西传统室内空间织物陈设的发展,进一步完善中国室内空间织物陈设的设计与研究,为其今后的发展提供了一定的理论依据。
[Abstract]:Indoor space is the living space on which human beings live. As an important part of indoor furnishings, fabric furnishings are in most frequent contact with people's daily life and play an important role in the indoor space environment. It affects the comfort and emotional appeal of people's life, while fabric furnishings also reflect the style of indoor space environment. At present, with the improvement of people's living standard, the demand of interior space design is higher and higher, especially the interior space fabric decoration is deeply loved and sought after by people. In recent years, the research on the relationship between fabric decoration and indoor space environment and its role has been increasing, but the comparative study on the traditional interior space fabric furnishings between China and the West is not enough detailed and comprehensive. In the face of the diversified development of design, the frequent exchange of design between China and the West, we must deeply understand the traditional culture and history of China and the West, learn from each other and integrate each other in order to better develop the interior design of China and the West. Therefore, this paper will discuss the similarities and differences of fabric furnishings in different periods between China and the West, and study the relationship between fabric furnishings and indoor space environment, and summarize the common points in the design of traditional fabric furnishings between China and the West. It provides a theoretical basis for the development of modern interior space fabric furnishing design. Therefore, the study of this topic has a certain theoretical and practical significance. In this paper, the development of interior fabric furnishings in China and the West during the traditional representative period was studied by using the method of horizontal contrast between Chinese and Western cultures in the same period. This paper discusses the characteristics of interior space fabric display under their respective cultural background, and explores the cultural connotation and design features of interior space fabric display between China and the West through the comparison between China and the West. The article is divided into four parts. In the introduction part of the definition of the relevant concepts, scope, clear focus on the object of study, positioning in the Ming and Qing dynasties and Western France Baroque, Rococo period of the palace interior fabric furnishings, The present situation and existing problems of Chinese and Western traditional interior space fabric furnishings are expounded, as well as the research process. The second chapter reviews the history of fabric furnishings in interior space in different representative periods of Chinese and Western traditions, so as to clarify the development of fabric furnishings. The third chapter focuses on analyzing the similarities and differences between Chinese and Western traditional interior space fabric furnishings, focusing on the interior space fabric furnishings of Chinese The Imperial Palace and France's Versailles Palace, and analyzing the fabric furnishings in different cultural backgrounds. Patterns and other aspects of the presentation of different forms. The fourth chapter discusses the influence of Chinese and Western traditional fabric furnishings on modern residential fabric furnishing design and prospects for future fabric furnishing design in China. Based on the comparative study of Chinese and Western interior space fabric furnishings, the development of Chinese and Western traditional interior space fabric furnishings is viewed with a critical view, and the design and research of Chinese interior space fabric furnishings are further improved. It provides a theoretical basis for its future development.
【学位授予单位】：吉林建筑大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TU238.2

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