中原地域标志性建筑的符号学设计研究

发布时间：2018-11-10 22:45

【摘要】：本论文在符号学理论的基础上对中原地域标志性建筑进行研究,基于两方面原因,一是随着城市化进程的加快,城市建筑活动随之展开,标志性建筑作为城市的“名片”,如雨后春笋般涌现。然而在“全球化”背景下,地域文化受到强烈冲击,城市建筑趋同现象越来越严重。很多城市在进行城市建设活动中,盲目追求建筑形式,追求所谓的“标新立异”和“独树一帜”,进而忽略了建筑,特别是标志性建筑本身更为重要的内涵表达,更不考虑公众的心理需求以及接受程度,城市特色逐渐缺失,城市形象“千城一面”的问题越发突出。二是中原文化的影响极其深远。从广义上来讲,中原地域建筑文化涵盖黄河流域乃至中国北方,更可扩展为儒家文化传播区域内的建筑文化总体[1]。而符号学理论的研究方法恰恰能够敏锐的捕捉到中原地域的建筑文化元素,并且能够将这种理论充分的运用在建筑作品的分析上。符号学理论是将标志性建筑看作一个系统,以地域文化为背景,科学的对其研究。一方面它有效的帮助人们在新的层面上全面深入的了解中原地域标志性建筑,了解其想要表达的深层含义。另一方面在使用者和建筑之间架起一座桥梁,使其产生互动,激发兴奋点,使人们通过中原地域标志性建筑对城市产生亲切感、认同感和归宿感。本文试图在中原地域的文化氛围中,通过问卷调查,实地调研和文献资料的整理等方法,对有价值的标志性建筑进行系统的理解分析和整理,不是简单归纳一些“特点”,而是在历史、文化、人们的心理层面去揭示中原地域标志性建筑活动发生、发展的具体过程和规律,结合符号学的理论研究方法,揭示其地域特征、识别其类型和探求其“生成”、“机制”等问题。使以往对于中原地域标志性建筑的模糊认识更加清晰。
[Abstract]:Based on the semiotics theory, this paper studies the regional landmarks in the Central Plains for two reasons: first, with the acceleration of the urbanization process, the activities of urban architecture are carried out, and the iconic buildings are regarded as the "business cards" of the city. Springing up like bamboo shoots. However, under the background of globalization, regional culture is strongly impacted, and the phenomenon of convergence of urban architecture is becoming more and more serious. In their urban construction activities, many cities blindly pursue architectural forms, so-called "innovation" and "being unique", thus neglecting the more important connotations of architecture, especially the iconic buildings themselves. Not taking into account the psychological needs and acceptance of the public, the characteristics of the city are gradually lacking, and the problem of "one thousand cities" becomes more and more prominent. Second, the impact of the Central Plains culture is extremely profound. In a broad sense, the architectural culture of the Central Plains covers the Yellow River Basin and even the northern part of China, and can be extended to the overall architectural culture in the area of Confucian culture dissemination [1]. The research method of semiotics theory can capture the elements of architectural culture in the Central Plains area, and it can be fully applied to the analysis of architectural works. The theory of semiotics regards iconic architecture as a system, with the background of regional culture, and scientifically studies it. On the one hand, it helps people to fully understand the Central Plains regional landmarks on a new level, understand the deep meaning that they want to express. On the other hand, a bridge is built between the users and the buildings to create interaction, stimulate excitement, and make people feel friendly, identify with and belong to the city through the landmark buildings in the Central Plains. In the cultural atmosphere of the Central Plains, this paper attempts to systematically analyze and analyze the valuable landmarks by means of questionnaire, field investigation and literature collation, rather than simply sum up some "characteristics". But in the history, culture and people's psychological level to reveal the specific process and law of the occurrence and development of the regional landmark building activities in the Central Plains, combined with the theoretical research methods of semiotics, to reveal its regional characteristics. Identify its type and explore its "generation", "mechanism" and other problems. To make the past for the Central Plains District iconic building fuzzy understanding more clearly.
【学位授予单位】：河南工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TU201

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