国学润悟画精髓——李燕绘画艺术欣赏

发布时间：2018-02-13 08:08

本文关键词： 李苦禅中国国家画院艺术简历中央文史研究馆美术学院附中中国画系艺术顾问壮北书画院指端 　出处：《文物天地》2015年05期 　论文类型：期刊论文

【摘要】：正李燕艺术简历中央文史研究馆馆员,清华大学教授,李苦禅纪念馆副馆长,中国和平统一促进会理事,九三学社中央文化委员会委员,九三学社中央书画院艺术顾问,中国国家画院研究员。李燕先生1943年生于北京,字壮北,自幼在其父亲李苦禅大师教导下敬祖爱国,嗜好国学文艺。1958年考入中央美术学院附中,继而升入美院中国画系,专习绘画长达八年。在北京荣宝斋编辑科工作多年,后调人中央工艺美术学院任教。其书画远避指端末技之形式主义的幻术,而以大自然天趣合大中华人文内涵形于笔墨,最擅长写意动物与人物。以钩沉补缺之旨作论文,以针贬时弊之旨作杂文,亦时有诗、赋随缘即出,刊诸
[Abstract]:Mr. Li Yan, curator of the Central Museum of Art and History, Professor of Tsinghua University, Deputy Director, China Association for the Promotion of peaceful Reunification, member of the Central Cultural Commission of the Jiusan Society, and artistic adviser of the Central Academy of calligraphy and painting of the Society, Mr. Li Yan was born in Beijing on 1943. He was born in Beijing in 1943. Since his childhood, he has been a patriot under the guidance of his father, #internal_person1#, and has a penchant for studying Chinese literature and art. In 1958, he was admitted to the attached Middle School of the Central Academy of Fine Arts and then promoted to the Chinese painting Department of the Academy of Fine Arts. Specializing in painting for up to eight years. Worked in Beijing Rongbaozhai editorial department for many years, and later moved to teach at the Central Academy of Arts and Crafts. His calligraphy and painting eschewed the illusion of formalism at the end of his finger's fingers, while his works were shaped by nature's interest in the humanities of Greater China. Be good at freehand brushwork animals and characters. Take the aim of hookiness as a thesis, use a needle to degrade the purpose of cheating as an essay, and also have poems at times, so that they can be published as soon as possible.
【分类号】：J222

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