康有为书法理论研究

发布时间：2018-03-04 13:29

本文选题：康有为　切入点：书法理论　出处：《四川师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：本文以康有为的书学理论为研究对象,通过揭示康氏的心路历程、时代特征和创作特色,来深入研究其书学理论。康有为出生于“世以理学传家”的教育世家,自幼便受经史子集的熏陶,当其政治理想和政治热情受挫后,遂把精力致力于书学、经学以及金石学的研究,由此创作出了《广艺舟双楫》,在当时书坛引起了强烈的反响。《广艺舟双楫》虽然是康氏变法失败、希望破灭之后的产物,但却集其新旧国学及西学思想于一体,是其书学理论的集中体现,也是其进化思想与书学思想结合的产物。本文主要分三个部分。第一部分为绪论。主要介绍本文选题的研究意义、国内外的研究现状以及研究目标与方法。第二部分为论文的主体,共四个章节。第一章主要分析康有为书法理论形成的历史背景。清末民初,由于西学东渐与碑学中兴,加之传统文化、今文经学对康氏的影响,以及家学师承的熏陶,康有为创作出了书学著作《广艺舟双楫》,为其书法理论代表作;第二章论述康有为书法理论的特征。通过对《广艺舟双楫》关于汉字发展与书体流变、尊碑抑帖与尊魏卑唐、笔法之实践主张等理论的探讨,对康有为的书法审美观以及晚年书论之变化等问题进行了深入的研究;第三章主要从康有为的书法实践来研究其书法理论,对“康体”的艺术特征与其书法艺术实践的美学追求作了初步的探索;第四章主要探讨康氏书法理论思想的影响及贡献。分析康氏学生对其碑学理论的传承,以及康有为对近代书法艺术与书法美学的贡献。第三部分为结语。对康有为书法理论在书学史上的历史地位作一个客观评价。康有为书法理论是特定时代产生的一座书法艺术高峰。本文不仅从社会历史方面研究其书学理论价值,而且从文化史、思想史来探讨其书法理论的民族价值及时代价值。
[Abstract]:In this paper, Kang Youwei's theory of calligraphy is taken as the research object. By revealing Kang's mental course, characteristics of the times and characteristics of his creation, this paper makes a thorough study of his theory of calligraphy. Kang Youwei was born in the educational family of "passing on family by Neo-Confucianism in the world". Influenced by a subset of the classics from an early age, when his political ideals and enthusiasm were thwarted, he devoted his energies to the study of books, classics, and the study of gold and stone. This led to the creation of "Guangyi Shuangji", which aroused a strong response in the literary world at that time. Although it was the product of the failure of Kang's reform and the collapse of his hopes, it was a combination of his new and old Chinese studies and his ideas of Western studies. This paper is mainly divided into three parts. The first part is the introduction. The second part is divided into four chapters. The first chapter mainly analyzes the historical background of Kang Youwei's calligraphy theory. In addition to the traditional culture, the influence of the Confucian classics on Kang, as well as the influence of the scholar, Kang Youwei created the book "Guangyi Shuangji", which is his masterpiece of calligraphy theory. The second chapter discusses the characteristics of Kang Youwei's calligraphy theory. This paper makes an in-depth study on Kang Youwei's aesthetics of calligraphy and the changes of calligraphy theory in his later years. The third chapter mainly studies the calligraphy theory from the calligraphy practice of Kang Youwei. This paper makes a preliminary exploration on the artistic characteristics and aesthetic pursuit of his calligraphy art practice. Chapter 4th mainly discusses the influence and contribution of Kang's calligraphy theory, and analyzes the inheritance of Kang's students' theory of tablet study. And Kang Youwei's contribution to modern calligraphy art and calligraphy aesthetics. The third part is the conclusion. The third part makes an objective evaluation of the historical position of Kang Youwei's calligraphy theory in the history of calligraphy. A peak of calligraphy art. This paper not only studies its theoretical value of calligraphy from the aspect of social history, And from the cultural history, ideological history to explore its calligraphy theory of national value and the value of the times.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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