美术学研究与中西学术会通

发布时间：2018-03-21 10:14

本文选题：中西学术　切入点：国学丛刊　出处：《美术观察》2017年09期 　论文类型：期刊论文

【摘要】：正中西学术历来各有规范,各成体系,两者既有交流,又有碰撞。王国维当年为《国学丛刊》作序,就指出:"今之言学者,有新旧之争,有中西之争,有有用之学与无用之学之争。"可见学术上的中西之争由来已久。在美术学研究领域,最为重要的中西学术之争应该发生在20世纪90年代,由中国内地去美国发展的美术史学者巫鸿,在美国出版了他的学术
[Abstract]:Chinese and Western academicians have always had their own norms and systems, and they have both exchanged and collided. Wang Guowei wrote a preface to the "Chinese Studies Series" and pointed out: "Today's scholars, there is a dispute between the old and the new, and there is a dispute between China and the West." There is a dispute between useful learning and useless learning. "it can be seen that the academic debate between China and the West has been going on for a long time. In the field of fine arts research, the most important academic dispute between China and the West should have taken place in 1990s," he said. Wu Hong, an art historian who went to the United States from the mainland of China, published his studies in the United States.
【作者单位】：南京艺术学院;
【分类号】：J120.9

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