“媒介
发布时间：2018-07-25 15:44
【摘要】：西学东渐以来,中西学术间的激荡与互动从未止息。伴随着国学的沉沦与复兴,一个亟待突破的命题日益凸显,这就是中西学术方法的融合、再造与创新。本期刊发的三篇文章即对此作出了有益的尝试。叶舒宪《四重证据:知识的整合与立体释古》继上世纪90年代中期的"三重证据法"之后,又提出"四重证据法"的命题,强调文史研究中文献之外的人类学、考古学材料的重要性,认为对非文字材料的自觉利用和多学科知识的整合,给国学的考据传统带来视野和方法的大变革。代云红《"媒介场"视域中的"多重证据法"》认为在"多重证据法"的结构框架中,存在着以文字符号为中心的书写媒介文化和以非文字符号为中心的口传及图像媒介文化,必须警惕"多重证据法"中的媒介霸权、符号暴力和文化意识形态。孟华《图像证据的符号学分析》从符号学角度研究图像与待证事实之间的真实关联度,讨论了两种图像理据:结构理据和意指理据。探索跨文化跨学科的知识整合与人文科学学术方法的创新正是上述三文价值之所在。
[Abstract]:Since the development of western learning to the east, the agitation and interaction between Chinese and Western scholars have never stopped. With the decline and rejuvenation of Chinese traditional culture, an urgent topic is becoming more and more prominent, that is, the integration, reconstruction and innovation of Chinese and Western academic methods. Three articles published in this issue have made a beneficial attempt. Ye Shuxian, "Quadric evidence: integration of knowledge and Three-dimensional interpretation of Ancient Times", after the "Triple evidence Law" in the mid-1990s, he put forward the proposition of "quadruple evidence Law", emphasizing anthropology outside the literature in the study of literary history. The importance of archaeological materials suggests that the conscious use of non-written materials and the integration of multidisciplinary knowledge have brought great changes to the traditional textual research of Chinese culture. Dai Yun Hong < "multiple evidence Law" in the View of "Media Field" thinks that in the frame of structure of "multiple evidence Law", there exists writing media culture centered on character symbol and oral and image media culture centered on non-character symbol. We must guard against media hegemony, symbolic violence and cultural ideology in the multiple evidence Act. From the perspective of semiotics, Meng Hua studies the true correlation between the image and the facts to be proved, and discusses two kinds of image motivation: structural motivation and implied motivation. Exploring the cross-cultural and cross-disciplinary knowledge integration and the innovation of the humanities academic method is the value of the above three articles.
【作者单位】： 云南曲靖师范学院人文学院;
【分类号】：K06
本文编号：2144286
[Abstract]:Since the development of western learning to the east, the agitation and interaction between Chinese and Western scholars have never stopped. With the decline and rejuvenation of Chinese traditional culture, an urgent topic is becoming more and more prominent, that is, the integration, reconstruction and innovation of Chinese and Western academic methods. Three articles published in this issue have made a beneficial attempt. Ye Shuxian, "Quadric evidence: integration of knowledge and Three-dimensional interpretation of Ancient Times", after the "Triple evidence Law" in the mid-1990s, he put forward the proposition of "quadruple evidence Law", emphasizing anthropology outside the literature in the study of literary history. The importance of archaeological materials suggests that the conscious use of non-written materials and the integration of multidisciplinary knowledge have brought great changes to the traditional textual research of Chinese culture. Dai Yun Hong < "multiple evidence Law" in the View of "Media Field" thinks that in the frame of structure of "multiple evidence Law", there exists writing media culture centered on character symbol and oral and image media culture centered on non-character symbol. We must guard against media hegemony, symbolic violence and cultural ideology in the multiple evidence Act. From the perspective of semiotics, Meng Hua studies the true correlation between the image and the facts to be proved, and discusses two kinds of image motivation: structural motivation and implied motivation. Exploring the cross-cultural and cross-disciplinary knowledge integration and the innovation of the humanities academic method is the value of the above three articles.
【作者单位】： 云南曲靖师范学院人文学院;
【分类号】：K06
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1 中国社科院文学所研究员、上海交通大学致远讲席教授 叶舒宪;中国文化再认识：从解读神话编码开始[N];中华读书报;2011年
，本文编号：2144286
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