鲁派内画鼻烟壶的现状调查与保护思考

发布时间：2018-03-07 23:27

本文选题：鲁派内画鼻烟壶　切入点：非物质文化遗产　出处：《山东艺术学院》2012年硕士论文　论文类型：学位论文

【摘要】：鲁派内画鼻烟壶起源于山东淄博博山，是用自制的钩形内画竹笔，在口小如豆的琉璃鼻烟壶内将大画之精神融于方寸天地间的传统民间工艺品，以其精致奇巧的造型，巧夺天工的内画技艺，深厚的民俗文化底蕴和清新雅致的艺术特色闻名于世，是东方工艺美术的一朵奇葩，更是极具民族和地域特色的非物质文化遗产。鲁派内画鼻烟壶艺术在百年的发展历程中涌现了众多的内画名家和艺术精品，但至今尚未有客观的、系统的、科学的专门研究成果问世，而后继乏人濒临断代的尴尬现实，更使我们感受到抢救、保护和发展这一珍贵非物质文化遗产的紧迫性和必要性，，因此本文以鲁派内画鼻烟壶现状调查与保护思考为主题，在田野调查的基础上综合运用文献调查，归纳比较分析等研究方法，对鲁派内画鼻烟壶的发展脉络、价值、现状和保护措施进行了系统的研究阐述。本文主要分为以下四个方面，第一章梳理了鲁派内画鼻烟壶的发展文脉，通过博山琉璃业的繁盛分析了影响鲁派内画鼻烟壶产生的客观因素，通过内画技艺的传入介绍了鲁派内画的起源，通过鼻烟壶的兴盛探究了鲁派内画的百年发展历史，通过传统文化观念的淡化阐述了鲁派内画衰落的总体背景和原因；第二章通过壶坯、内画毛笔的制作和内画技法的运用介绍了鲁派内画的工艺流程和工艺特点，结合内画家作品的分析总结了鲁派内画构图饱满壮阔，线条精细流畅，设色温润典雅，意境深邃隽永的审美特点和艺术特色，从宫廷和民间两个维度探索了鲁派内画所承载的深厚的文化内涵，从当代鲁派内画收藏市场和旅游市场的发展探究鲁派内画鼻烟壶的经济价值；第三章分析介绍了鲁派内画鼻烟壶的传承谱系、传承方式和代表性内画家的作品和艺术风格，并重点探寻了鲁派发展现状中存在的主要问题；第四章从“非物质文化遗产”的视野下归纳出鲁派内画鼻烟壶的理论保护原则，并在这些原则的基础上提出鲁派内画的具体保护措施，如加大政府支持力度，建立鲁派内画鼻烟壶博物馆，建立行业组织“鲁派内画鼻烟壶艺术发展专业学会”，进行教育传承保护和生产性保护等。期望本文的研究可以为鲁派内画鼻烟壶、淄博传统民间工艺和非物质文化遗产保护的理论研究提供有益的补充和参考，对鲁派内画鼻烟壶的申遗工作和保护实践活动提供一定的借鉴和新思路，从而实现鲁派内画鼻烟壶艺术更好的传承、保护和发展。
[Abstract]:The snuff pot of the Lu faction painting originated from the mountain of Zibo, Shandong province. It is a bamboo pen with a self-made hook shape. It melts the spirit of the large painting into the traditional folk arts and crafts between the square inches of the earth and the world in a small bean-shaped snuff pot, with its exquisite and ingenious shape. The exquisite art of inner painting, deep folk culture and fresh and elegant artistic features are famous all over the world. It is a wonderful flower of eastern arts and crafts, and also an intangible cultural heritage with national and regional characteristics. In the hundred years of development, many famous artists and fine works of art have emerged in the course of the development of the inner painting of the Lu School, but no objective, systematic and scientific special research results have come out yet, and the awkward reality that no successor has been on the verge of a new era has yet to come out. It also makes us feel the urgency and necessity of rescuing, protecting and developing this precious intangible cultural heritage. On the basis of field investigation, this paper makes a systematic study on the development, value, present situation and protection measures of the snuff bottles drawn by the Lu faction by using the literature investigation, induction and comparative analysis and other research methods. This paper is mainly divided into the following four aspects. The first chapter combs the development context of the inner painted snuff bottles of the Lu school, and analyzes the objective factors that affect the production of the snuff bottles of the inner painting of the Lu school through the flourishing of the glass industry in Boshan. This paper introduces the origin of the inner painting of the Lu school through the introduction of the art of inner painting, probes into the history of the development of the inner painting of the school of Lu through the prosperity of snuff pot, and expounds the overall background and reason of the decline of the inner painting of the school of Lu through the desalination of the traditional cultural concept. The second chapter introduces the technological process and technical characteristics of the inner painting of the Lu School through the production of the pot blank, the brushwork of the inner painting and the application of the techniques of the inner painting. Combined with the analysis of the works of the inner painters, it sums up the composition of the inner painting of the faction of the Lu school, which is full and broad, and the lines are fine and smooth. The aesthetic features and artistic features of color and elegance and artistic conception are profound and meaningful. From the two dimensions of court and folk, this paper explores the profound cultural connotations carried by the inner paintings of the Lu faction. This paper probes into the economic value of the snuff bottle of the inner painting of the Lu school from the development of the collection market and the tourism market of the contemporary Lu faction painting. Chapter three analyzes the inheritance genealogy, the inheritance mode and the works and artistic style of the representative inner painting snuff pot. The main problems existing in the development of Shandong School are discussed in detail. Chapter 4th concludes the theoretical protection principles of snuff bottles drawn by Lu School from the perspective of "Intangible Cultural Heritage". On the basis of these principles, the concrete protection measures of the inner painting of the Lu faction are put forward, such as increasing the support of the government and establishing the museum of the snuff bottle of the inner painting of the Lu faction. Set up the professional society of the art development of Lupai inner drawing snuff bottle, and carry on the education inheritance protection and the productive protection etc. It is expected that the research of this paper can draw the snuff bottle for the Lu faction interior. The theoretical research on the protection of traditional folk crafts and intangible cultural heritage in Zibo provides a useful supplement and reference, and provides some reference and new ideas for the application work and protection practice of the inner drawing snuff bottles of the Lu School. So as to achieve better inheritance, protection and development of the inner painting of snuff bottles.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：TQ171;J527

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