后现代主义影响下陶瓷设计的研究
发布时间：2018-08-04 10:11
【摘要】：在后工业社会环境中，将生产目的转化成设计思想的综合性意识，对设计的影响在广度和深度上表现得较现代主义设计更加明显。它在继承现代主义承认“机器美学”的基础上，以人们文化生活的物质和精神需要为目的，以生产与设计的相互交合为内容，将设计发展得更加深入人心。 在后现代主义影响下,陶瓷设计也显示出文脉主义、隐喻主义，以及采用新型材料为媒介的装饰主义等特征，完成了现代主义所没有完成的设计使命，那就是它在设计实践中比较全面地贯彻了符合人对生活多样化需要的诉求，即，它从情感上满足了普遍存在的大众化要求。 陶瓷设计的理想蓝图是不断采用新技术成果，并历史文化与现实文化紧密结合的人文主义精神，将设计的方法论和设计实践结合起来，，充分反映人们普遍发展与不断增长的对物质和精神生活需要的谋求。
[Abstract]:In the environment of post-industrial society, the comprehensive consciousness of transforming the purpose of production into the idea of design, the influence on design is more obvious in breadth and depth than that in modern design. On the basis of inheriting modernism's recognition of "machine aesthetics", aiming at the material and spiritual needs of people's cultural life, and taking the intersection of production and design as the content, it develops the design more deeply into the people's mind. Under the influence of postmodernism, ceramic design also shows the characteristics of contextualism, metaphorism and decorationism using new materials as the medium, thus accomplishing the design mission that modernism has not completed. That is, in the design practice, it has fully carried out the demand for the diversification of human life, that is, it meets the popular demand of universal existence from the emotional point of view. The ideal blueprint of ceramic design is the humanism spirit which adopts the new technical achievement unceasingly, and the history culture and the reality culture closely unifies, unifies the design methodology and the design practice. Fully reflects the general development of people and the growing pursuit of material and spiritual needs.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
本文编号：2163569
[Abstract]:In the environment of post-industrial society, the comprehensive consciousness of transforming the purpose of production into the idea of design, the influence on design is more obvious in breadth and depth than that in modern design. On the basis of inheriting modernism's recognition of "machine aesthetics", aiming at the material and spiritual needs of people's cultural life, and taking the intersection of production and design as the content, it develops the design more deeply into the people's mind. Under the influence of postmodernism, ceramic design also shows the characteristics of contextualism, metaphorism and decorationism using new materials as the medium, thus accomplishing the design mission that modernism has not completed. That is, in the design practice, it has fully carried out the demand for the diversification of human life, that is, it meets the popular demand of universal existence from the emotional point of view. The ideal blueprint of ceramic design is the humanism spirit which adopts the new technical achievement unceasingly, and the history culture and the reality culture closely unifies, unifies the design methodology and the design practice. Fully reflects the general development of people and the growing pursuit of material and spiritual needs.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
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本文编号：2163569
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