喀什市维吾尔族传统土陶工艺调查
发布时间：2018-08-05 14:16
【摘要】：2006年,喀什传统土陶手工艺被收入新疆维吾尔自治区级和国家级非物质文化遗产名录,但随着社会经济与文化的迅速发展,土陶器在人们生活中使用的越来越少,从事土陶制作的手艺人也因收入微薄和职业病等原因导致生产土陶器的数量骤减,年轻人不愿意学习土陶制作,甚至不会把这门手艺作为职业,种种原因致使传统土陶手艺濒临失传。 本文对喀什市高台民居的民间彩陶手艺人艾尼瓦尔兄弟、吐尔逊塔瓦克进行了五次访问,拍摄了大量现场资料,在此基础上对喀什民间土陶工艺的传承提出自己观点。 全文共分五个部分： 一,引言。 二,喀什维吾尔族民间彩陶工艺的历史与现状。概括和评述彩陶工艺的源流和濒危现状。 三,土陶世家访谈录。通过与手艺人的交谈,进一步了解彩陶工艺以及手艺人的生活现状。 四,维吾尔族民间彩陶工艺技术。在这一部分,详尽介绍彩陶工艺技术的原材料及注意事项、制作所需器具、上色技术和陶器种类。 五,维吾尔族民间彩陶工艺发展的困难及对策。就如何保护这一面临失传的珍贵文化遗产、如何培养新一代土陶工艺传承人,使其能够继续传承和发展,提出一定的对策。
[Abstract]:In 2006, Kashi traditional pottery handicrafts were included in the Xinjiang Uygur Autonomous region level and national intangible cultural heritage list, but with the rapid development of social economy and culture, the use of earthen pottery in people's lives is becoming less and less. Craftsmen engaged in earthenware production have also suffered from a sharp decline in the number of earthenware products due to meagre income and occupational diseases. Young people are unwilling to learn to make earthenware, and they will not even regard this craft as a profession. For various reasons, the traditional earthenware technique was on the verge of being lost. This paper makes five visits to the folk painted pottery craftsman of Gaotai residence in Kashgar City, the brother Eniware and Turshontawak, and takes a lot of field data. On this basis, the author puts forward his own views on the inheritance of Kashi folk pottery technology. The full text is divided into five parts: first, introduction. Second, the history and present situation of Kashgar Uygur folk pottery technology. The origin and endangered status of colored pottery technology are summarized and reviewed. Third, the earth pottery family interview. Through the conversation with the craftsman, learn more about the pottery craft and the living condition of the craftsman. Fourth, Uygur folk pottery technology. In this part, the raw materials and precautions of the technology, the equipment needed for making, the coloring technology and the types of pottery are introduced in detail. Fifth, the difficulties and countermeasures of the development of Uygur folk pottery technology. This paper puts forward some countermeasures on how to protect this precious cultural heritage facing loss and how to cultivate a new generation of inheritors of earthenware craft so that they can continue to inherit and develop.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
本文编号：2166042
[Abstract]:In 2006, Kashi traditional pottery handicrafts were included in the Xinjiang Uygur Autonomous region level and national intangible cultural heritage list, but with the rapid development of social economy and culture, the use of earthen pottery in people's lives is becoming less and less. Craftsmen engaged in earthenware production have also suffered from a sharp decline in the number of earthenware products due to meagre income and occupational diseases. Young people are unwilling to learn to make earthenware, and they will not even regard this craft as a profession. For various reasons, the traditional earthenware technique was on the verge of being lost. This paper makes five visits to the folk painted pottery craftsman of Gaotai residence in Kashgar City, the brother Eniware and Turshontawak, and takes a lot of field data. On this basis, the author puts forward his own views on the inheritance of Kashi folk pottery technology. The full text is divided into five parts: first, introduction. Second, the history and present situation of Kashgar Uygur folk pottery technology. The origin and endangered status of colored pottery technology are summarized and reviewed. Third, the earth pottery family interview. Through the conversation with the craftsman, learn more about the pottery craft and the living condition of the craftsman. Fourth, Uygur folk pottery technology. In this part, the raw materials and precautions of the technology, the equipment needed for making, the coloring technology and the types of pottery are introduced in detail. Fifth, the difficulties and countermeasures of the development of Uygur folk pottery technology. This paper puts forward some countermeasures on how to protect this precious cultural heritage facing loss and how to cultivate a new generation of inheritors of earthenware craft so that they can continue to inherit and develop.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
【引证文献】
相关博士学位论文 前1条
1 李晓瑜;新疆民族装饰艺术审美心理追溯[D];中央美术学院;2013年
，本文编号：2166042
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