特立独行的巴西电影产业

发布时间：2018-01-20 02:09

本文关键词： 巴西电影产业文化多样性特立独行　出处：《当代电影》2015年11期 　论文类型：期刊论文

【摘要】：巴西的电影产业拥有广泛的多样性和差异性,既有本土的商业大片,也有大量的艺术电影;既有收费不菲的多厅影院,也有贫民窟价格低廉的大众影院。他们对于电影业的定位主要不是商业目的,从某些方面看更重视电影的文化价值和社会意义。尽管与中国和印度两个"金砖国家"相比,巴西电影产业的发展速度以及国产电影的市场比例尚处于落后局面,但巴西电影产业一旦凭借其特立独行的"巴西模式"探索,构建起全产业链的整合能力,其后发优势不可限量。尤其是随着互联网的普及,更多具有文化内涵的高素质的巴西电影进入其国内外的网络放映渠道,影响力也将不断提升,势必为实现经济、社会和文化的多重价值,为国家软实力的提高发挥重要作用。
[Abstract]:Brazil's film industry has a wide range of diversity and diversity, both local commercial blockbusters, but also a large number of art films; From expensive multiplex cinemas to low-priced mass theaters in slums, their positioning of the film industry is largely not for commercial purposes. In some ways, more attention is paid to the cultural value and social significance of the film, although compared with the BRICS countries of China and India. The development speed of the Brazilian film industry and the proportion of the domestic film market are still in the backward situation, but once the Brazilian film industry relies on its maverick "Brazilian model" exploration, it constructs the integration ability of the whole industry chain. Especially with the popularity of the Internet, more high-quality Brazilian films with cultural connotations have entered the network of its channels, the influence will continue to improve. It is bound to play an important role in the realization of economic, social and cultural value and the improvement of national soft power.
【作者单位】：北京交通大学;巴西坎皮纳斯州立大学孔子学院;
【分类号】：J943
【正文快照】： 从《中央车站》(Central do Brasil,1998)到《上帝之城》(Cidade de Deus,2002),再到《精英部队》(Tropade Elite)系列(2007、2010),巴西电影的大胆写实风格,一次次令世界震惊。尽管这些影片直指巴西社会现实问题,却深受观众的喜爱,这也从另一方面体现出了巴西民众所具有的民

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