中美电影业制片人中心制比较研究
发布时间:2018-01-30 05:53
本文关键词: 制片人中心制 中美电影业 比较研究 出处:《重庆工商大学》2013年硕士论文 论文类型:学位论文
【摘要】:制片人中心制是随着电影业的发展,由好莱坞率先探索出的一种适合电影工业化的制片体制,好莱坞借助这一成熟的制片体制将美国大片带到世界的各个角落。好莱坞的电影人不仅从中赚得了丰厚的利润,更将美国文化和价值观根植于不同民族、不同信仰、不同国籍的人的心中。通过不断的探索与学习,中国的电影业也形成了具有中国特色的制片人中心制,这一制度也引领着国产影片书写着属于中国电影的历史。但是,在中国电影业繁荣的背后,也隐藏着诸多的问题。近年来,尤其是进口影片被大幅度引进国内的2012年,国产影片的问题集中暴露出来,包括票房的弱势、投资回报的低迷、优秀影片的匮乏等。通过中美电影业制片人中心制的比较研究,我们能够从中找到在践行这一制度中,中美两国在制片的组织结构、制片管理、内容生产等方面的差异与相同点,从而找到目前阻碍我国电影业发展的矛盾与不足。并通过对市场环境、行业自身等方面的分析,找到解决我国电影业发展瓶颈的对策,,为提振国产影片的信心提供有益参考。同时,透过我国电影业近年来的蓬勃发展,也应认清我国电影业在制片人中心制上的发展与壮大,这从另一个方面印证了我国电影业的发展绝非偶然,制片人中心制在这片热土上正以其独特的方式丰富着电影发达国家的制度实践,我们在学习和借鉴的同时也要保持自己的传统与优势,找准美国甚至全球电影市场在制片人中心制上因市场选择正在逐渐衰弱的部分,切勿照单全收和盲目跟风,这不仅是对本国电影业的负责,也是对世界电影市场和电影发展规律的尊重。
[Abstract]:With the development of the film industry, the producer center system is a kind of production system that is suitable for the film industrialization, which was first explored by Hollywood. Hollywood used rare's production system to bring American blockbusters to every corner of the world. Hollywood filmmakers not only made a lot of money from it, but also rooted American culture and values in different nations. Through continuous exploration and study, the Chinese film industry has also formed a producer center system with Chinese characteristics. This system also leads domestic films to write the history of Chinese films. However, behind the prosperity of the Chinese film industry, there are also many problems hidden in recent years. Especially in 2012, when imported films were introduced into China by a large margin, the problems of domestic films were mainly exposed, including the weakness of box office and the low return on investment. Through the comparative study of the producer center system in Chinese and American film industry, we can find out the organizational structure and production management of the two countries in the practice of this system. Content production and other aspects of differences and similarities, so as to find the current obstacles to the development of the film industry in China's contradictions and deficiencies. And through the market environment, the industry itself and other aspects of the analysis. To find solutions to the bottleneck of the development of the film industry in China, to provide a useful reference for boosting the confidence of domestic films. At the same time, through the booming development of the film industry in China in recent years. We should also recognize the development and growth of China's film industry in the producer center system, which confirms the development of our film industry is not accidental. The producer center system in this hot land is enriching the system practice of the film developed country in its unique way. We should keep our own tradition and advantage while learning and learning from it. Find out what parts of the US and even the global film market are losing due to market choices. Don't follow suit completely or blindly. This is not just a responsibility for the domestic film industry. Also is to the world movie market and the movie development law respect.
【学位授予单位】:重庆工商大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J941
【参考文献】
相关期刊论文 前7条
1 赵玉忠;略论影视创作生产的行业惯例与法律规范[J];北京电影学院学报;2003年06期
2 刘思羽;刘胜眉;;电影:文化力与影响力——“2012中国(北京)电影学术年会”综述[J];当代电影;2012年12期
3 周铁东;;制片人与制片厂[J];大众电影;2007年21期
4 袁静;殷俊;;试析中国制片人中心制的三大模式——以张纪中、张伟平和王中军为例[J];新闻界;2008年04期
5 宋蕾;;论制片管理的实质[J];现代传播-中国传媒大学学报;2009年02期
6 冯文思;;浅谈影视制片管理对影视工作的作用及反思——以美国电影做比照[J];现代营销(学苑版);2012年05期
7 陈旭光;;走向一种“制片人中心制”与“创意制片管理”理念——从《画皮 2》谈中国电影制片管理的观念转型与机制变革[J];艺术评论;2012年09期
本文编号:1475468
本文链接:https://www.wllwen.com/jingjilunwen/whjj/1475468.html