江西鄱阳传统漆艺文化现状研究

发布时间：2018-03-04 15:02

本文选题：鄱阳　切入点：漆艺文化　出处：《江西科技师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：鄱阳脱胎漆器历史久远，始于汉代，明清以后，享誉江南。它既有景泰蓝的高贵，又有陶瓷的洁雅，胎体轻巧玲珑、色泽光亮如镜、古朴庄重，具有鲜明的民族风格和浓厚地方特色的手工艺品，，它与北京景泰蓝、江西景德镇瓷器合称中国工艺品三宝。随着近年来，国家文化部对非物质文化遗产保护政策不断完善，对传统手工艺的重视程度不断提升，鄱阳漆艺的美正重新被世人所发掘、认可。经国务院批准，《鄱阳脱胎漆器髹饰技艺》已于2011年10月正式纳入“第三批国家级非物质文化遗产名录”。这一重大历史性的突破，使得原本低靡的鄱阳漆艺文化产业又重燃希望。文章分几个部分展开论述，首先，对江西省古代漆艺的历史、主要的漆器产地、鄱阳漆器的特征作全面的概述。其次，重点论述鄱阳漆艺文化的产业现状，并分析阻碍其发展的困境和促进其壮大的机遇，为下文提出传承与创新途径的探索性策略作铺垫。最后，根据以上的探索和研究，总结鄱阳漆艺文化在现代环境中的发展趋势和对中国漆艺发展的展望。本文主要研究目的是通过对鄱阳传统漆艺文化发展脉络的梳理和其艺术特征的分析，以及当地漆艺文化产业现状的调研，结合传统漆艺在当代社会所遇到的困境和机遇，力求探索传承与创新的现实途径。
[Abstract]:Poyang lacquer ware has a long history, beginning in the Han Dynasty and after the Ming and Qing dynasties. It is famous in Jiangnan. It has the nobility of cloisonne, the elegance of ceramics, the light and exquisite body of the placenta, the lustre and lustre as mirror, and the simplicity and seriousness. With distinctive national style and strong local characteristics of handicrafts, it with Beijing cloisonne, Jiangxi Jingdezhen porcelain known as three Chinese handicrafts. In recent years, the Ministry of Culture has continuously improved its policy on the protection of intangible cultural heritage, and attached great importance to traditional handicrafts. The beauty of Poyang's lacquer art is being rediscovered by the world. Approved. With the approval of the State Council, Poyang lacquerware painting technology was formally included in the third batch of National Intangible Cultural Heritage list in October 2011. This is a significant and historic breakthrough. The original low Poyang lacquer culture industry rekindled hope. The article is divided into several parts, first, the history of ancient lacquer art in Jiangxi Province, the main lacquer production area, the characteristics of Poyang lacquer ware are summarized. Secondly, the industrial status of Poyang lacquer art culture is discussed. It also analyzes the predicament that hinders its development and the opportunity to promote its growth, which paves the way for the following exploratory strategies of inheritance and innovation. Finally, according to the above exploration and research, The development trend of Poyang lacquer culture in modern environment and the prospect of Chinese lacquer art development are summarized. The main purpose of this paper is to analyze the development of Poyang traditional lacquer culture and its artistic characteristics, as well as to investigate the present situation of local lacquer culture industry, and to combine the difficulties and opportunities encountered by traditional lacquer art in contemporary society. Strive to explore the inheritance and innovation of the realistic approach.
【学位授予单位】：江西科技师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J527;J124

【参考文献】