美术馆展览：在美术史叙事与当代文化建构之间

发布时间：2018-05-09 17:34

  本文选题：美术馆 + 展览　； 参考：《中国艺术研究院》2014年博士论文

【摘要】：展览是美术馆面向公众的主业,展览的内容和规划决定了美术馆的学术水平,也与美术馆的使命密切相关,更是美术馆展开美术史叙事、彰显其文化倾向的重要载体。美术馆以展览为载体的实践,不仅是要以不同形式的展览建构美术史叙事,同时要阐释艺术创作的内在规则,还要延伸至其背后社会文化意义的全貌及其所牵涉到不同文化间的互动和互斥,或在不同的历史阶段和时空范围中文化间的交融和发展。在这个多元发展的时代,如何通过展览建构和传递意义,如何在展览中诠释文化,尤其是如何呈现本国文化与世界各文化的相应关系,是美术馆作为一个国家与地区的研究与教育中心最重要的任务之一。美术馆有保存、收藏艺术品的职责,并且不断用藏品构筑展览。在国外一些重要美术馆中,用藏品构成的固定陈列,是美术馆的基本内容。但是,那些固定陈列的主体结构和内容通常会受不同的文化思潮的影响而有所改变,由此可见,所谓固定陈列中的美术历史受制于特定时期的文化思潮。此外,美术馆举办的专题展览也体现了在展开美术馆的美术史叙事和建构当代文化两方面的作用。另一方面,美术馆都积极关注当下的艺术现象,通过分析和遴选最新的艺术风格样式的作品形成对当代艺术的关注。这部分由当代艺术形成的展览实际上是一种“发生的艺术史”,十分鲜明地体现了美术馆的文化立场。从20世纪下半叶开始,美术馆的双年展、国际巡回展览等新的展览形式已经成为彰显美术馆展览文化的重要方式。面对后现代文化的不断发展,在关系美学等新兴美学思想的影响下,美术馆如何通过“交流”与“对话”构建其在当代文化系统中的地位和影响也是重要的方面。总之,透析美术馆的展览,特别是分析展览策划中的文化意图,才能真正窥探美术馆的文化身份。由此凸显美术馆展览的价值和意义。
[Abstract]:The exhibition is the main industry of the art museum for the public. The content and planning of the exhibition determine the academic level of the art museum. It is also closely related to the mission of the art museum. It is also an important carrier of the art museum to expand the history of art and highlight its cultural tendency. The practice of the museum with exhibition as the carrier is not only to construct the history of art in different forms of exhibition. Narration, at the same time, is to explain the internal rules of artistic creation, and to extend to the full picture of the social and cultural significance behind it and the interaction and mutual exclusion involved in different cultures, or the blending and development of culture between different historical stages and space and time. In this era of pluralistic development, how to construct and transmit the meaning through the exhibition, How to interpret culture in the exhibition, especially how to present the corresponding relationship between the national culture and the world culture, is one of the most important tasks of the art museum as a national and regional research and education center. The Art Museum has the responsibility of preserving, collecting art and building exhibitions. In some important foreign art galleries, The fixed display of the collection is the basic content of the art museum. However, the structure and content of the fixed display are usually changed by the influence of different cultural trends. Thus, it can be seen that the art history in the so-called fixed display is subject to the cultural trend of thought in a particular period. In addition, the special exhibitions held by the art gallery are also reflected. There are two aspects of the art history narrative and the construction of contemporary culture in the art museum. On the other hand, the Art Museum has actively paid attention to the present artistic phenomenon and formed the attention to contemporary art through the analysis and selection of the latest artistic style. This exhibition is actually a "art". The history of art "embodies the cultural standpoint of the art museum. From the second half of the twentieth Century, the Biennale of the art museum, the international tour exhibition and other new forms of exhibition have become an important way to highlight the exhibition culture of the art museum. Facing the continuous development of the post-modern culture, the art museum is influenced by the new aesthetic ideas of the Guan Department aesthetics. It is also an important aspect of how to build its status and influence in the contemporary cultural system by "communication" and "dialogue". In a word, dialysis of Art Museum, especially the cultural intention in the exhibition planning, can truly spy on the cultural identity of the art museum, which highlights the value and significance of the art gallery exhibition.

【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2014
【分类号】：J114

【参考文献】

中国期刊全文数据库 前6条

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本文编号：1866915